Stadtwerkstatt-TV on the air
NOBODY IS SAFE
LIVE ART TV by satellite directly to the household and back. Television in the
hands of artists, on channels 3sat and FS 2
NAILED GUTS
Live programmes are the blood of television. If a broadcasting station
suffers a loss of blood, it will become a mere supplier for the goggle-box or
some audiovisual home disco. Television is never more thrilling, nerve-racking
and specific then in live programmes. You chew your fingernails to the bone,
you want to go up the walls, get hopelessly plastered, pick up the telephone
angrily, rave, hope to finally get through with your call, switch over again
and again because you simply can't stand the thrill of being there again for
the finale.
Therefore, those previously recorded and trimmed game shows with their
anonymous studio audiences are all the more damnable. No TV joice is streaming
over the screen. Came shows are ruled by safety, order and boredom. Nobody
exceeds the time limit, nobody talks smut in the heat of the studio lighting,
nobody has to react to mishaps, nobody runs out of crisps and beer.
STWST-TV has this blood in its veins and STWST-TV is blood-thirsty.
CATASTROPHY TV
The Number One scene of catastrophies is the TV screen. As everything
else, catastrophies can only be determined by human judgement. Irritation
should be provided by TV in order to relativize conceptions of value. The
enjoyment of catastrophies and catastrophic pleasure should not be left at
liberty. Man's innate drive for destruction and annihilation is being
speculated with.
NOBODY IS SAFE
is like TV, taking place at several levels of action taking place at the
same time. It psychically and materially investigates the phenomenon of
controlled life.
Our considerations were focussed on the meaning of the subject in relation to
human existence and the everyday life connected with it. A high degree of
quality of life produces a high degree of control over potential interference
factors. Today we are faced with a highly developed culture of security
systems, which have, in the meantime, acquired strong dynamics of their own.
They have even come to inspire fear and uncertainty in the simple-minded. We
want to know how people have their lives under control day by day and how they
deal with their existence. The maintaining of value conceptions (what to
protect and what from) associated with this, only apparently results in a
network to stabilize existence. Ultimately, however, the network shows paranoid
cracks, so that nobody can feel safe. The tendency towards control, which is a
primary factor of survival for many, is revealed as a trap. Reason teaches us
that we cannot know what will happen next.