Podcast Ars Electronica

Derrick de Kerckhove: Hybrid: Elements of a Re-mix Culture

info@aec.at

Head of the Marshall McLuhan Program at the University of Toronto since 1983; author of "The Skin of Culture", "Brainframes: Technology, Mind and Business", "The Architecture of Intelligence"; advisor to governments, major corporations and cultural initiatives

Roger Clarke: Human-Artefact Hybridisation

info@aec.at

Roger Clarke is a consultant specialized in eBusiness, information infrastructure, data surveillance and information privacy.

Wen-Jean Hsueh

info@aec.at

Wen-Jean Hsueh is General Director of the Creativity Laboratory of the Industrial Technology
Research Institute (ITRI)�Taiwan

Neil Gershenfeld

info@aec.at

Neil Gershenfeld (US) is the Director of MIT's Center for Bits and Atoms. His unique laboratory investigates the relationship between the content of information and its physical representation, from molecular quantum computers to virtuosic musical instruments. He is the author of numerous technical publications, patents, and books.

David Weinberger: When Things Aren't What They Are

info@aec.at

David Weinberger is the founder of the strategic marketing company �Evident Marketing�; he joined
�Open Text�; consultant for industry and company boards, author, co-author of
�The Cluetrain Manifesto�, since 2004 Fellow at Harvard's Berkman Institute for
Internet & Society

Vincenzo Susca: From Hybridisation to Transfiguration towards Communicracy

info@aec.at

Vincenzso Susca is researcher at ISIMM in Rome and the CeaQ di Paris, author of �Tutto �
Berlusconi. Radici, metafore e destinazione del tempo nuovo� and editor of
�Immaginari postdemocratici. Nuovi media, cybercultura e forme di potere�

Aminata Traor�

info@aec.at

Aminata Traor� is a former Minister of Tourism and Culture in Mali, promotor of several cultural
projects, initiator of �Soi le voisins, le quartier�, coordinator of the �Forum pour
l�autre Mali�, a forum that envisages to follow-up the World Social Forum in
Europe; author of �l�Etau� and �Le Viol de l�Imaginaire�

Donatella Della Ratta: Why the West does not understand Al Jazeera

info@aec.at

Donatella della Ratta is a contributor on Arab media issues for the Italian newspaper �Il Manifesto�,
film maker producing documentaries about Middle Eastern issues; author of
�Al Jazeera, media e societ� arabe nel nuovo millenio�

Farian Sabahi

info@aec.at

Farian Sabahi is lecturer on Islam at the Bocconi Business School, Milan

Carlo Formenti: Class Composition, Web Technology and Post-Democracy

info@aec.at

Carlo Formenti is a philosopher, writer and journalist specialized in new media and third culture
issues, author of the novel �Nell�anno della signora�

Melanie Puff: Acting in the Interstices

info@aec.at

Melanie Puff is a curator and critic, author of �Postmoderne und Hybridkultur�

Ollivier Dyens: Hybrid Reality

info@aec.at

Ollivier Dyens is Associate Professor at Concordia University Montreal; founder and webmaster
of www.chairetmetal.com and continentx.com, websites dedicated to the study
of cyberculture; author of �Metal and Flesh, The Evolution of Man, Technology
Takes over�

Carolyn Guertin: Queer Hybrids

info@aec.at

Carolyn Guertin currently is McLuhan Postdoctoral Fellow at the University of Toronto, teacher at
Athabasca University, Canada, trAce Online Writing School at Nottingham Trent
University, UK and the Universidad International de Andaluc�a, Spain

Jens Hauser: Bio Art-Taxonomy of an Etymological Monster

info@aec.at

Jens Hauser is an art curator and writer, teaching activity on media theory and intercultural
approaches, various conference activities, director of documentary films, sound
environments; collaborator with several broadcasting stations; currently
involved in two long-term film projects about bioart

Massimo Canevacci: Hybridentities

info@aec.at

Massimo Canevacci is Professor of Cultural Anthropology at the University of Rome La Sapienza; visiting
professor in Brazil since 1984, where he researches urban and native communication

Marko Ahtisaari: Seven Challenges for Hybrid Ecologists

info@aec.at

Marko Ahtisaari is director of Design Strategy for Nokia; studied economics, philosophy and musical
composition at Columbia University, NYC, lectured in logic, philosophy of
economics, and the history of thought; was awarded a Grammy Showcase
Award for new artists

Carmin Karasic

info@aec.at

Carmin Karasic is a software engineer and digital artist focused on Internet Art; currently Director
of HyperArtSpace, Boston Cyberart Festival�s online gallery; exhibitions, collaborations
with other Internet artists; her works are online in several online venues
and galleries

Fr�d�ric Voisin/ Robin Meier

info@aec.at

Fr�d�ric Voisin: head of the music research department of CIRM (Centre
National de Cr�ation Musicale) at Nice, France, concentrating on the study and
musical application of artifical neural networks
Robin Meier: composer interested in artificial intelligence and biological
approaches to computing applied to musical composition and installations;
works with the CIRM

Marco Susani: The Hybrid Space of Networked Tribes

info@aec.at

Marco Susani is an architect, industrial designer; director of the Advanced Concept Groups, Consumer
Designs Organisation at Motorola; former director of Domus Academy
Research Center

Usman Haque: Surrounding Architecture

info@aec.at

Usman Haque is a designer of interactive architecture systems and responsive projection environments,
interactive installations, digital interface devices and choreographed performances;
teacher at the Bartlett School of Architecture

Theo Jansen

info@aec.at

Theo Jansen has been awarded a Special Prize of the Jury of Interactive Art at Prix Ars Electronica 2005 for his "Strandbeest".

Ulf Langheinrich

info@aec.at

Lecture of the curators of the Animation Festival

info@aec.at

Dietmar Offenhuber and Christine Sch�pf on Computer Animation and Visual Effects.

McLuhan still dead? 25 years later

info@aec.at

Lecture by Derrick de Kerckhove on Marshall McLuhan.

World Culture Forum

info@aec.at

From Information Societies to Knowledge-based Societies:
Sustainable Development or the Deepening of the Digital Divide?

With: Geetha Narayanan (Sristhi, IN), Derrick de Kerckhove
(Marshall McLuhan Institute, CA), Erik M�ller (wikimedia, DE),
Margit Niederhuber (Expert on Development and Culture, AT), Peter M. Rantasa
(Executive Director World Culture Forum Alliance, AT), Garry Neil (INCD)
Moderator: Andreas Hirsch (AT)

Design for Digital Communities

info@aec.at

With: Axel Thalemmer (DE, Kunstuniversit�t Linz),W. Bradford Paley (US), Iwai Toshio (JP)
Moderator: Gerfried Stocker (AT)

electrolobby roundabout I

info@aec.at

with ubermorgen, Erich Berger

PARADOX ENCOUNTER

info@aec.at

with Daniel Lee (US)

Presentation & Performance "cntrcpy�"

info@aec.at

Space-project of Artists-group CNTRCPY�: Travelling to planet Mars with mobile-based navigation, propagandavideo, space-food, training for cosmonauts.

electrolobby roundabout II

info@aec.at

with Zeitgenossen (AT)

HYBRID OPENESS

info@aec.at

Paula le Dieu (GB), Roland Alton-Scheidl (AT) talk about open standards, the potentials and obstacles of new licensing models, the role of licensing and open cultures for creative production

Lecture "Perspectives for Creative Archive Licences in Austria and elsewhere"

info@aec.at

Paula le Dieu (GB), Juliane Alton (A)

HYBRID CREATURES

info@aec.at

Scott Snibbe (US), Christa Sommerer (A) and Theo Jansen (NL) talk about their working experiences with various artificial life forms and their views on aspects of hybridity.

Presentation "EUREKA � A solution for small-scale digital radio"

info@aec.at

Pieter de Wit (NL)

electrolobby rounabout III

info@aec.at

with ubermorgen (AT) and Telestreet (IT)

Esther Polak, Ieva Auzina und RIXC

info@aec.at

Riga Center for New Media Culture
(LV/NL) - MILKproject - Golden Nica

Ieva Auzina

info@aec.at

Riga Center for New Media Culture
(LV/NL) - MILKproject - Golden Nica

Mateusz Herczka

info@aec.at

Life Support Systems � Vanda; NL

Marc Downie

info@aec.at

how long does the subject linger on the edge of the volume �

Maryanne Amacher

info@aec.at

TEO! A sonic sculpture - Golden Nica

John Oswald

info@aec.at

plunderphonics

Tomek Baginski

info@aec.at

Platige Image (PL)
Fallen Art � Golden Nica

Gaelle Denis

info@aec.at

Passion Pictures (FR/UK)
City Paradise

Rick Sayre

info@aec.at

Karel Dudesek

info@aec.at

Casey Reas

info@aec.at

ubermorgen

info@aec.at

Dieter Daniels

info@aec.at

professor for history of art and media theory at the HGB, Hochschule f�r Grafik und Buchkunst Leipzig / Academy of Visual Arts Leipzig

Alain D�pocas

info@aec.at

Head of the Centre for Research and Documentation (CR+D) of The Daniel Langlois Foundation

Gerhard Dirmoser

info@aec.at

Systems analyst specializing in geographical information systems. Studies in network form on cybernetic aesthetics, structuralism, art in context, design gestures, mapping issues etc. Study on the 25-year history of Ars Electronica.

Monika Fleischmann

info@aec.at

Fraunhofer Institute, Medienkommunikation, DE

Rudolf Frieling

info@aec.at

ZKM Karlsruhe, DE

Oliver Grau

info@aec.at

Humboldt University Berlin, DE

Paul Leitner

info@aec.at

Sony, AT

Matt Locke

info@aec.at

BBC, UK

Erik M�ller

info@aec.at

wikimedia, DE

Axel Thalemmer

info@aec.at

DE, Kunstuniversit�t Linz

W. Bradford Paley

info@aec.at

Iwai Toshio

info@aec.at

Artist & Creator (JP)

Akshaya

info@aec.at

What needs and interests are propelling digital communities forward? From Akshaya, which is providing access to IT infrastructure in India�s State of Kerala, to the Free Software Foundation�all across this wide spectrum of factors motivating people to link up in networks, what they have in common is the vision a vibrant Internet culture beyond profit-oriented interests. Participants will discuss the significance of digital communities for public opinion formation and their contribution to communications culture.

With: Pullukkottayil Habel Kurien (IN), Pacho Mach�n (ES), Agnese Trocchi / Ciro d'Aniello (IT)

Table Talk

info@aec.at

What needs and interests drive a community forward?

With: Tim Erickson / e-democracy.org (US), Roman Bleichenbacher (CH), Markus Beckedahl (DE), Franz Schmidbauer (AT), Donatella Della Ratta (IT), Georg Pleger (AT)

Claus Pias: Der kalte Traum der Technik

info@aec.at

The current boom in speeches, conferences and developmental aid programs having to do with art&science as well as media art�s notorious obsession with innovation seductively induce a sense of nostalgia. It�s d�j� vu all over again�and at least as melodramatic, but still in black-and-white and without a post- prefix. A crackling film sequence shows Max Bense�perspiring profusely, giving his all to the discourse�as rhetorical �Volkswagen with a Porsche engine in its stern� (Harry Walter). In a defense of a radical object aesthetic, cybernetics came across not only as an option for hauling art and criticism out of their quagmire of insignificance, but also as an option for erecting a bridge between the Two Cultures and, not least of all, as a moral declaration of faith in a civilized-rational postwar Modernism between flat roof and free jazz. This speech will take up a minor incident and use it as an example illustrating how doing art and writing about it was meant to be before 1968.

Stefan Rieger: Der dritte Ort des Wissens

info@aec.at

Cornelius Borck: Feedback as a Form of Art

info@aec.at

In the retrospective view of today�s electronic new media art, the computer appears to be central in the coming together of cybernetics and aesthetics during the 1960s. Certainly, computers demonstrated cybernetics� soundness after its first wave of fascination had ebbed; but cybernetics shaped new media art in a much more direct sense, so I want to argue, namely as the theory of feedback. Especially the then new medium of video was celebrated as feedback technology, from Stephen Beck�s fascination about the machine�s self observation via Dan Graham�s mirror and time-delay pieces to Radical Software�s mobilization for a revolution of consciousness by means of do-it-yourself video. In a period when cybernetics was popularized by its amalgamation with thoughts from McLuhan and Buckminster Fuller, feedback emerged as an aesthetic project that became, in reverberating circuits, a cultural phenomenon.

Barbara B�schner: Live Electronic Arts

info@aec.at

Aspects of performance are essential for parts of media art (history). During the 1960s, understood as a kind of pre-history to current computer-based media art, a series of events and performances was established in which live presented body-movements (of dancers, musicians) controlled light/images and sound producing "�machines". The best known examples are Nine Evenings. Theatre and Engineering (New York, 1966) and Variations V, a cooperation between John Cage, a group of composer-performers and the Merce Cunningham Dance Company, which was presented in 1965.

Margit Rosen: Reducing Uncertainty.

info@aec.at

The English cybernetician Gordon Pask conceived the "Colloquy of Mobiles" for the 1968 exhibition "Cybernetic Serendipity" held at the ICA in London. It was a reactive, adaptive, computer-based system composed of five mobiles. By way of light and sound, the rotating elements suspended from the ceiling communicated with each other, independent of external influences, though the people at the exhibition could integrate in the conversation between the machines. Pask, who dedicated his research to the development of teaching machines, brought with this installation his idea for an "aesthetically potential environment" to a conclusion. The presentation of the "Colloquy of Mobiles" and his contemporary research provides insights into his cybernetic model of the relation between observer and artwork - a special case of the relation between man and environment - oscillating between desire and control.

Edward A. Shanken: Cybernetics and Art: Convergences and Divergences in the 1960s

info@aec.at

My paper examines the intersection of cybernetics and art in the 1960s from an art historical perspective. I argue that earlier developments in experimental art, especially kinetic art and process-oriented work, enabled cybernetics to be appropriated into aesthetic discourses.

Jasia Reichhardt: From the Common Room to Cybernetic Serendipity

info@aec.at

There were several sources that lead to Jasia Reichardt's interest in connections between art and cybernetics. The first was the Gaberbocchus Common Room which became a meeting place for artists and scientists during the 1950s. The second was a book, a group of stories compiled by Clifton Fadiman, under the title Fantasia Mathematica, 1958. The third was another book, The Scientist Speculates, which was edited by I.J. Good and published in 1962.

Jasia Reichardt will talk about those early days and how Max Bense's suggestion in 1965 that 'she should look into computers' became her obvious next step.

Sam Hecht

info@aec.at

Sam Hecht (UK) studied industrial design at Central St. Martin�s
College of Arts and Design and received his degree in industrial design from the Royal College of Art in London. He has been the recipient of numerous prizes, and his list of clients includes Muji.

Walter Bender

info@aec.at

Walter Bender (US) heads the Gray Matters working group that deals with technology�s impact on an increasingly elderly population. He is a member of the MIT Media Lab�s SIMPLICITY Project, Things That Think and the Digital Life Consortium. Bender is currently president of the software and content division of One Laptop Per Child, a non-profit organization that is developing a technology designed to revolutionize how the world�s children are educated.

Paola Antonelli

info@aec.at

Paola Antonelli (US) is curator of the architecture and design department at the Museum of Modern Art (MoMA) in New York. Her �Mutant Materials in Contemporary Design� exhibition (1995) garnered high praise. Her latest offering �SAFE: Design Takes on Risk� (2005) deals with objects that aim to protect our bodies and souls.

Hugh Herr

info@aec.at

Hugh Herr (US) is Associate Professor of Media Arts and Sciences at
the MIT Media Lab. His research activities concentrate on ways in which principles derived from muscle mechanics, neuronal control
and human biomechanics can be applied to the development of biomimetic robots and rehab devices.

Dieter Daniels

info@aec.at

John Maeda

info@aec.at

This fall, John Maeda will be publishing a book that deals with �The Laws of Simplicity.� For two years in Maeda�s simplicity blog (http://weblogs.media. mit.edu/SIMPLICITY), the contents of this publication have been at the focal point of a public discussion that will now flow into the Simplicity Symposium, whereby one area of particular emphasis will no doubt be the issue of appropriate design strategies to allow simplicity and complexity to converge.

Jason Kottke

info@aec.at

Jason Kottke (US) is a well-known American blogger and former
Web designer. He created the enormously popular Silkscreen font
that is widely used in the field of Web design. In March 1998, Kottke launched his blog that has gone on to become one of the highest-ranked personal sites in the blogging ecosystem.

Gary Chang

info@aec.at

Gary Chang (CN) founded his company EDGE in 1994. His commercial commissions include clubhouse, retail space, hotel, restaurant, office, yacht and aircraft interiors as well as product designs. The Suitcase House at the Commune by the Great Wall (a luxury hotel in China), the Kung-Fu Teaset for Alessi, and his own apartment in Hong Kong are his best-known design projects.

Olga Goriunova

info@aec.at

Olga Goriunova (RU) is an artist, art scholar, co-organizer of the Read_Me Festival and co-founder of the runme.org website.

Eric Yeatman

info@aec.at

Eric Yeatman (US) has been a member of the academic staff of the Imperial College in London since 1989. He is currently professor of microengineering and assistant director of the college�s research
group in that field.

Karin Ohlenschl�ger

info@aec.at

Erkki Huhtamo presents Paul DeMarinis' work

info@aec.at

Zachary Lieberman

info@aec.at

Evan Roth, James Powderly / Graffiti Research Lab

info@aec.at

Featured Artist Speech: John Maeda

info@aec.at

Upgrade!

info@aec.at

Upgrade! was founded in 1999 in New York by Yael Kanarek as a regular get-together of artists and curators working in the field of New Media. It has since developed into an international network that is held together by a shared interest in art and technology, and by members� efforts to bridge gaps between cultures. Upgrade! attaches great importance to localization and reflects state-of-the-art creative developments via cutting-edge technology.

Mark Dippe

info@aec.at

Jan Bitzer, Ilija Brunck, Tom Weber: 458nm

info@aec.at

It�s midnight. A smattering of moonlight falls upon the forest floor. Two mechanical snails move slowly through the darkness. They confront one another and briefly take the measure each other�s powers before uniting in love play. With mounting ecstasy, their transparent bodies begin to glow, but just before climax a dark shadow looms over them ...

This animated film blends allegorical and abstract components with impressive narrative skills.

Digital Musics - Table Talk

info@aec.at

Codecheck.ch - Roman Bleichenbacher

info@aec.at

The Codecheck project is an effort to create an informed �community� of consumers who are able to critically assess products prior to reaching their purchasing decisions. Whereas certain initiatives pursue this aim primarily by condemning retail offerings that are potential health hazards, Codecheck takes a different approach: it helps consumers decipher the product�s barcode.

Rupert Huber: Piano Improvisations

Inside Spire

Gregorianische Chor�le

Bells Concert

Scapha: Concert by Hilke F�hrmann and J�rgen Schneider

Spire - Orgelkonzert I

Pixelspaces - Goblin City I

Spire - Organ Konzert II

Tmema feat. Erkki Huhtamo

Das Meta-Netz. Anatomie der modernen �berwachungsgesellschaft

Erich Moechel (AT)

Begr�ssung Gerfried Stocker

Einf�hrung (nur in englischer Sprache verf�gbar)

Der Wert des Privaten

Einf�hrung Vortr�ge Jordan Crandall und Erich Moechel (nur in englischer Sprache verf�gbar)

Fear Studies, Jordan Crandall (nur in englischer Sprache verf�gbar)

Das Meta-Netz. Anatomie der modernen �berwachungsgesellschaft, Erich Moechel

Defending Freedom in the Digital World - EFF and EDR (nur in englischer Sprache verf�gbar)

Danny O�Brien (nur in englischer Sprache verf�gbar)

Rikke Frank Jorgensen (nur in englischer Sprache verf�gbar)

Sind wir auf dem Weg in eine transparente Gesellschaft?

Einf�hrung Contextual Integrity (nur in englischer Sprache verf�gbar)

Helen Nissenbaum (nur in englischer Sprache verf�gbar)

Faceless - Manu Luksch

Welcome and Introduction (nur in englischer Sprache verf�gbar)

Life after Privacy - Brian Holmes (nur in englischer Sprache verf�gbar)

Social Entrepreneurs - Konstantin Guericke (nur in englischer Sprache verf�gbar)

Social Entrepreneurs - Jakob Lodwick (nur in englischer Sprache verf�gbar)

The New Public Life - Felix Stalder (nur in englischer Sprache verf�gbar)

Diskussion (nur in englischer Sprache verf�gbar)

Intro (nur in englischer Sprache verf�gbar)

Survaillance as Social Sorting - David Lyon (nur in englischer Sprache verf�gbar)

Delighted by the Spectacle - Francesca da Rimini (nur in englischer Sprache verf�gbar)

Global Security Alliance - Konrad Becker (nur in englischer Sprache verf�gbar)

Conter-Espionage and Active Privacy Protection Methods (nur in englischer Sprache verf�gbar)

Identity 2.0: Von der Netz-Identit�t zu OpenID - Ralf Bendrath

Urheberrecht statt Datenschutz - Volker Grassmuck

Conclusion

Er�ffnung - Barbara Heiliger

Er�ffnung - Gerfried Stocker

N�tzliches Vergessen - Viktor Mayer-Sch�nberger

Grenzen bisheriger Gesetzgebung und Judikatur f�r die Anforderungen des Lebens im Netz (Beispiele) (nur in englischer Sprache verf�gbar)

Aktuelle Entwicklungen auf europ�ischer Ebene und j�ngste Initiativen der Europ�ischen Kommission

Michael Schmidt-Salomon - "do you still believe or are you already thinking"

Einf�hrung - Everything you ever wanted to know about Second Life (nur in englischer Sprache verf�gbar)

The History of Second Life - Andreas Lange (nur in englischer Sprache verf�gbar)

Identity and Trust in Second Life - Robin Harper (nur in englischer Sprache verf�gbar)

Synthetics - Eva and Franco Mattes (nur in englischer Sprache verf�gbar)

fun, form, function - Drew Harry (nur in englischer Sprache verf�gbar)

Second City Projects - Aram Bartholl (nur in englischer Sprache verf�gbar)

Table Talk (nur in englischer Sprache verf�gbar)

Sicher im Netz - Sirikit Amann

Sicher im Netz - Bernd Dobesberger

Sicher im Netz - Andreas Krisch

Sicher im Netz - Franz Schmidbauer

Sicher im Netz - Eva Hanel

Sicher im Netz - Christoph Pojer

Sicher im Netz - Table Talk

Einf�hrung - Hybrid Art (nur in englischer Sprache verf�gbar)

Biological Habitat: Breeding Spaces Technology, Made in Space (nur in englischer Sprache verf�gbar)

Cloaca - Wim Delvoye (nur in englischer Sprache verf�gbar)

SymbioticA - Oron Catts (nur in englischer Sprache verf�gbar)

Einf�hrung - Interactive Art

Conservation of Intimacy - Bernie Lubell

Seeker - Leon Cmielewski, Josphine Starrs (nur in englischer Sprache verf�gbar)

Park View Hotel - Ashok Sukumaran (nur in englischer Sprache verf�gbar)

Diskussion (nur in englischer Sprache verf�gbar)

Elisabeth Schimana - Mitglied der Jury (nur in englischer Sprache verf�gbar)

Mi Vida - Israel Martinez (nur in englischer Sprache verf�gbar)

Grist - Aaron Thall (nur in englischer Sprache verf�gbar)

Reverse-Simulation Music - Masahiro Miwa (nur in englischer Sprache verf�gbar)

Diskussion (nur in englischer Sprache verf�gbar)

Ivan Tsupka - Mitglied der Jury (nur in englischer Sprache verf�gbar)

Ark - Grzegorz Jonkajtys, Marcin Kobylecki (nur in englischer Sprache verf�gbar)

A Gentlemen�s Duel - Tim Miller (nur in englischer Sprache verf�gbar)

Codehunters - Ben Hibon (nur in englischer Sprache verf�gbar)

Intro - Dieter Daniels

Konzeptioneller Ablauf - Gunther Reisinger

Unifying Future Media - Ted Nelson (nur in englischer Sprache verf�gbar)

The Infinite Expansion - Lev Manovich (nur in englischer Sprache verf�gbar)

Die Kunst des Teilens. Von der fr�hen Netzkunst zum Web 2.0 - Marc Ries

Net Based Art and the Gallery - Charlie Gere (nur in englischer Sprache verf�gbar)

Warum ich nie zu einer Netzkunsthistorikerin geworden bin - Verna Kuni

Can Art History Digest the Net? - Julian Stallabrass (nur in englischer Sprache verf�gbar)

Symbiotic methods. Interdisciplinary approaches towards net-based art - Gunther Reisinger

Digital Cultural Heritage - Dieter Daniels (nur in englischer Sprache verf�gbar)

Panel 1 - Onfield - Horst H�rtner (nur in englischer Sprache verf�gbar)

Panel 1 - Amagatana/Jump - Masahiko Inakage (nur in englischer Sprache verf�gbar)

Panel 1 - Social Sensing - Orkan Telhan (nur in englischer Sprache verf�gbar)

Panel 1 - Source Code - Horst H�rtner (nur in englischer Sprache verf�gbar)

Panel 2 - Einf�hrung - Daniela Kuka (nur in englischer Sprache verf�gbar)

Panel 2 - JAIKU Mobile - Jyri Engestr�m (nur in englischer Sprache verf�gbar)

Panel 2 . Post bits - Maribeth Back (nur in englischer Sprache verf�gbar)

Panel 2 - MUPE - Juha Kaario (nur in englischer Sprache verf�gbar)

Panel 2 - Ecce homo mobilis - Selene Kolman (nur in englischer Sprache verf�gbar)

Panel 2 - Diskussion (nur in englischer Sprache verf�gbar)

Ingrid Fischer-Schreiber - Mitglied der Jury (nur in englischer Sprache verf�gbar)

dotSUB - http://dotsub.com - Michael L Smolens (nur in englischer Sprache verf�gbar)

Electronic Frontier Foundation - Danny O�Brien (nur in englischer Sprache verf�gbar)

Overmundo - www.overmundo.com.br - Ronaldo Lemos (nur in englischer Sprache verf�gbar)

Dieter Daniels - Mitglied der Jury (nur in englischer Sprache verf�gbar)

Exe.cut[up]able statements - Poetische Kalk�le und Phantasmen des selbstausf�hrenden Texts - Florian Cramer (nur in englischer Sprache verf�gbar)

UNESCO Lounge - Table Talk

Er�ffnung durch Dieter Daniels / Katja Kwastek

info@aec.at

Christiane Paul: From Virtualities to Embodiment � Interaction in Media Art

info@aec.at

Lars Blunck: �I mistrust audience participation� � �berlegungen zur Partizipationskunst

info@aec.at

Suzanne Lacy: Terms of Engagement: Interactivity in Visual Art Practices

info@aec.at

Christoph Neuberger: Interaction & Interactivity - Die Perspektive der Kommunikationswissenschaft

info@aec.at

Wendy Hui Kyong Chun: Control and Freedom: Interactivity and Invasion - nur englisch verf�gbar

info@aec.at

Gillian Crampton Smith / Philip Tabor: Designing Interaction - nur englisch verf�gbar

info@aec.at

Noah Wardrip-Fruin: Understanding Gameplay - nur englisch verf�gbar

info@aec.at

"User Art" - discussion of Peter Weibel's notion and exhibition

info@aec.at

Marie-Luise Angerer: Presentation of the Media.Art.Research Award 2008

info@aec.at

Arjen Mulder: Interact Art from a Biological Perspective

info@aec.at

Panel / Diskussion moderiert von Katja Kwastek

info@aec.at

Er�ffnung durch Joichi Ito - nur auf englisch verf�gbar

info@aec.at

Yochai Benkler - nur auf englisch verf�gbar

info@aec.at

Tim Pritlove - nur auf englisch verf�gbar

info@aec.at

Michael Tiemann - nur auf englisch verf�gbar

info@aec.at

Christian Forsterleitner, Leonhard Dobusch, Thomas Gegenhuber, Stefan Pawel, Manuela Hiesmair, Barbara Hofmann: Project "Knowledge Space Linz"

info@aec.at

Panel / Diskussion moderiert von Tim Pritlove - nur auf englisch verf�gbar

info@aec.at

Thomas Macho

info@aec.at

Paul Keller - nur auf englisch verf�gbar

info@aec.at

Gerd Leonhard - nur auf englisch verf�gbar

info@aec.at

Panel / Diskussion moderiert von Thomas Macho - nur auf englisch verf�gbar

info@aec.at

A.K.M. Adam - nur auf englisch verf�gbar

info@aec.at

James Boyle - nur auf englisch verf�gbar

info@aec.at

David Weinberger - nur auf englisch verf�gbar

info@aec.at

Jonah Brucker-Cohen - nur auf englisch verf�gbar

info@aec.at

Ronaldo Lemos - nur auf englisch verf�gbar

info@aec.at

Panel / Diskussion moderiert von James Boyle - nur auf englisch verf�gbar

info@aec.at

Isaac Mao - nur auf englisch verf�gbar

info@aec.at

Georgia Popplewell - nur auf englisch verf�gbar

info@aec.at

Elizabeth Stark- nur auf englisch verf�gbar

info@aec.at

Jonathan McIntosh - nur auf englisch verf�gbar

info@aec.at

Panel / Diskussion moderiert von Joichi Ito - nur auf englisch verf�gbar

info@aec.at

Prof. Ikeuchi: die Universit�t Tokyo - nur auf englisch verf�gbar

info@aec.at

Tomoe Moriyama: Hybrid Ego - nur auf englisch verf�gbar

info@aec.at

Pr�sentation von Hirose Laboratory - nur auf englisch verf�gbar

info@aec.at

Pr�sentation von Arakawa Laboratory - nur auf englisch verf�gbar

info@aec.at

Pr�sentation von Naemura Laboratory

info@aec.at

Pr�sentation von Tachi Laboratory

info@aec.at

Pr�sentation von Ishikawa Laboratory - nur auf englisch verf�gbar

info@aec.at

Pr�sentation von Ikeuchi Laboratory - nur auf englisch verf�gbar

info@aec.at

Pr�sentation von Inaba Laboratory - nur auf englisch verf�gbar

info@aec.at

Pr�sentation von Media Exprimo - nur auf englisch verf�gbar

info@aec.at

Abschlu�: Prof. Ikeuchi & Tomoe Moriyama - nur auf englisch verf�gbar

info@aec.at

Markus Wissen (DE)

info@aec.at

Volker Grassmuck - nur auf englisch verf�gbar

info@aec.at

Prix Forum I: Hybrid Art - Introduction by Richard Kriesche - nur auf englisch verf�gbar

info@aec.at

Helen Evans, Heiko Hansen / HEHE: Pollstream - Golden Nica - nur auf englisch verf�gbar

info@aec.at

Yann Marussich: Bleu Remix - nur auf englisch verf�gbar

info@aec.at

Julius Popp: micro.flow - nur auf englisch verf�gbar

info@aec.at

Jeff Lieberman, Dan Paluska: Absolut Quartet - nur auf englisch verf�gbar

info@aec.at

Norimichi Hirakawa: a plaything for the great observers at rest - nur auf englisch verf�gbar

info@aec.at

Julius von Bismarck: Image Fulgurator - Goldene Nica - nur auf englisch verf�gbar

info@aec.at

Paul D. Miller: Introduction - nur auf englisch verf�gbar

info@aec.at

Sergi Jorda, G�nter Geiger, Martin Kaltenbrunner, Marcos Alonso / Music Technology Group: reactable - Goldene Nica - nur auf englisch verf�gbar

info@aec.at

Teri Rueb: Core Sample - nur auf englisch verf�gbar

info@aec.at

Hans W. Koch: the benchmark consort - nur auf englisch verf�gbar

info@aec.at

Prix Forum III - Digital Musics: Panel Discussion - nur auf englisch verf�gbar

info@aec.at

Prix Forum IV - Digital Communities: Introduction by Isaac Mao - nur auf englisch verf�gbar

info@aec.at

Jeana Frost: www.patientslikeme.com - nur auf englisch verf�gbar

info@aec.at

Iris Wu: www.1kg.org - nur auf englisch verf�gbar

info@aec.at

David Sasaki: www.globalvoicesonline.org - nur auf englisch verf�gbar

info@aec.at

Prix Forum IV - Digital Communities: Panel Discussion - nur auf englisch verf�gbar

info@aec.at

Prix Forum V - Computer Animation / Film / VFX: Introduction by J�rgen Hagler - nur auf englisch verf�gbar

info@aec.at

Chris Lavis: Madame Tutli-Putli, Golden Nica - nur auf englisch verf�gbar

info@aec.at

Taku Kumura / Links DigiWorks inc.: Kudan - nur auf englisch verf�gbar

info@aec.at

Amael Isnard, Manuel Javelle, Clement Picon / Supinfocom: Musicotherapie - nur auf englisch verf�gbar

info@aec.at

Prix Forum V - Computer Animation / Film / VFX - nur auf englisch verf�gbar

info@aec.at

Eröffnung - nur auf Englisch verfügbar

ARS Electronica

Friedrich Kittler

ARS Electronica

Hiroshi Ishiguro - nur auf Englisch verfügbar

ARS Electronica

Roundtable Human Nature I - nur auf Englisch verfügbar

ARS Electronica

Intro Human Nature II - nur auf Englisch verfügbar

ARS Electronica

Eduardo Kac - nur auf Englisch verfügbar

ARS Electronica

Josef Penninger - nur auf Englisch verfügbar

ARS Electronica

Roundtable Human Nature II - nur auf Englisch verfügbar

ARS Electronica

Intro Prix Forum I: Jens Hauser - nur auf Englisch verfügbar

ARS Electronica

Steve Lambert: The New York Times Special Edition - nur auf Englisch verfügbar

ARS Electronica

Joyce Hinterding, David Haines: EarthStar - nur auf Englisch verfügbar

ARS Electronica

History Talk 2 - nur auf Englisch verfügbar

ARS Electronica

David Sasaki - nur auf Englisch verfügbar

ARS Electronica

Stephen Downes - nur auf Englisch verfügbar

ARS Electronica

Ethan Zuckerman - nur auf Englisch verfügbar

ARS Electronica

Anders Sandberg - nur auf Englisch verfügbar

ARS Electronica

Isaac Mao - nur auf Englisch verfügbar

ARS Electronica

Hamid Tehrani - nur auf Englisch verfügbar

ARS Electronica

Xiao Qiang - nur auf Englisch verfügbar

ARS Electronica

Evgeny Morozov - nur auf Englisch verfügbar

ARS Electronica

Roundtable I Cloud Intelligence - nur auf Englisch verfügbar

ARS Electronica

Kirsten Taylor - nur auf Englisch verfügbar

ARS Electronica

Teddy Ruge - nur auf Englisch verfügbar

ARS Electronica

Pablo Flores - nur auf Englisch verfügbar

ARS Electronica

Andres Monroy-Hernandez - nur auf Englisch verfügbar

ARS Electronica

Juliana Rotich - nur auf Englisch verfügbar

ARS Electronica

Roundtable II Cloud Intelligence - nur auf Englisch verfügbar

ARS Electronica

Isaac Mao - nur auf Englisch verfügbar

ARS Electronica

Michael Schmidt-Salomon

ARS Electronica

Maja Petrovic-Steger - nur auf Englisch verfügbar

ARS Electronica

Derrick de Kerckhove - nur auf Englisch verfügbar

ARS Electronica

Roundtable Human Nature III - nur auf Englisch verfügbar

ARS Electronica

Bernhard Fink

ARS Electronica

Shinsuke Shimojo - nur auf Englisch verfügbar

ARS Electronica

Bill Fontana: Speeds of Time versions 1 and 2 - nur auf Englisch verfügbar

ARS Electronica

Tristan Perich - "Active Field" - nur auf Englisch verfügbar

ARS Electronica

Antoine Schmitt, Jean-Jacques Birge - NABAZ'MOB - nur auf Englisch verfügbar

ARS Electronica

History Talk 7: Creators & Illusionists of Sound

ARS Electronica

Iriz Pääbo: HA'Aki - nur auf Englisch verfügbar

ARS Electronica

Jeremy Clapin, Jean-Francois Sarazin - DARK PRINCE - SKHIZEIN - nur auf Englisch verfügbar

ARS Electronica

Glenn Marshall - The Nest That Sailed The Sky - nur auf Englisch verfügbar

ARS Electronica

History Talk 8: New Media Pioneers

ARS Electronica

Gabriel Jaime Vanegas, Alvaro Ramirez Ospina: HiperBarrio - nur auf Englisch verfügbar

ARS Electronica

Julian Assagne: WikiLeaks - nur auf Englisch verfügbar

ARS Electronica

Rasmus Fleischer - Piratbyran - nur auf Englisch verfügbar

ARS Electronica

Kim Beck & Osman Khan: when laughter trips at the threshold of the divine - nur auf Englisch verfügbar

ARS Electronica

Jens Wunderling: default to public - nur auf Englisch verfügbar

ARS Electronica

History Talk 6: Ars Makers & Curators

ARS Electronica