Language – Radical Atoms https://ars.electronica.art/radicalatoms/en Ars Electronica Festival 2016 Tue, 28 Jun 2022 13:26:43 +0000 en-US hourly 1 https://wordpress.org/?v=4.9.6 Deep Space 8K: Chant of the Proto-Alchemists https://ars.electronica.art/radicalatoms/en/deep-space-8k-chant-proto-alchemists/ Mon, 01 Aug 2016 15:11:41 +0000 https://ars.electronica.art/radicalatoms/?p=1092 For that there still are chants beyond humanity that have not been sung, yet.

Alchemists deal with matter and meta-physics; they integrate human understanding of the world, visions, ideas, and their desire to reach ultimate enlightenment in their search for knowledge and creation. Fundamental knowledge must be communicated in a language that conveys all information and is accessible to all those, but also only those, who are adepts. Like the proto-human language, the origin of all linguistic understanding and development, proto-alchemists knew about the one language of those long gone worlds in order to bequeath their secrets. This lost proto-alchemist language was fundamental to cymatic (sound and resonance) transformation of matter. The alchemists of our time seek to find a proto-human language in the coding languages that they apply to transform matter, to program new material forms and to develop worlds that transcend the physical reality known to humans.

After Quadrature (2014) and The Sixth Wave (2015), the third part of the trilogy, Chants of the Proto-Alchemists (2016) reflects on the very sensual, instinctive, and in other words people’s very Dionysian side, which is as important to growth, spiritual development and divinity as the analytic, rationalistic, Apollonian side.

Text: Claudia Schnugg

 

Credits: Sound: Chris Bruckmayr (AT) & Dobrivoje Milijanovic (RS) aka raum.null; Vocals: Siegmar Aigner (AT) aka Mussurunga; Visuals: Didi Bruckmayr (AT) and Florian Berger (AT); Production: Claudia Schnugg (AT)

 

 

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Murmur L.C. Librans https://ars.electronica.art/radicalatoms/en/murmur-l-c-librans/ Mon, 01 Aug 2016 13:05:19 +0000 https://ars.electronica.art/radicalatoms/?p=2026

The work, produced by Fondazione Mondo Digitale, is the result of the school project by the artist at the Tullio Levi Civita school in Rome.

The installation is the representation of an artificial vocal apparatus which creates an abstract artificial language, tracing the physiological function of a natural voice. The interaction and modulation of all natural phonatory organs shapes many speech sounds and phonic-acoustic phenomena. As well as the natural phonatory organs, Murmur uses different sculptural structures that individually participate in the final tonal result. Murmur imitates the natural phonetic apparatus.

The abstract sounds of the installation are based on graffiti found on the school wall. Pictures of damaged materials are rearranged as music score by an artificial intelligence system. The “talking” sculpture was made by using waste materials from the school bar.

Murmur is a “talking” automatic orchestra: an orchestra which tells us the history of the Tullio Levi Civita school.

Selection from BNL Media Art Festival, Rome (sponsored by Fondazione Mondo Digitale) curated by Valentino Catricalà, courtesy BNL BP Paribas Group

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