social media – Radical Atoms https://ars.electronica.art/radicalatoms/en Ars Electronica Festival 2016 Tue, 28 Jun 2022 13:26:43 +0000 en-US hourly 1 https://wordpress.org/?v=4.9.6 V2 Summer Sessions https://ars.electronica.art/radicalatoms/en/summer-sessions/ Wed, 03 Aug 2016 07:59:44 +0000 https://ars.electronica.art/radicalatoms/?p=1376

Summer Sessions are short-term residencies for young and emerging artists, organized by an international network of cultural organizations. Each summer the partners in this network for talent development collaborate to offer professional production support and expert feedback to artists in the realization of a new artwork or design. Local talents from each partner’s geographic region are scouted and selected for a residency abroad, where they are offered highly productive atmospheres and specific kinds of expertise at one of the international partners in the international network. This collaboration not only results in the development of a large number of new projects in a relatively short period, but also provides the participating emerging artists with international experience that helps them jumpstart their art and design practice.

The Summer Sessions pop-up exhibition at the Festival Ars Electronica  shows a selection of outcomes realized through this international exchange of emerging talents. While the pop-up exhibition illustrates the kind of results that this pressure-cooker residency format results in, a live event will highlight the participants’ experiences abroad and the effects these had on their early careers. In doing so, V2_ Institute for the Unstable Media, the initiating partner of the Summer Sessions network, intends to inform ambitious early-career artist about the opportunities that the international network for talent development offers and is reaching out to other cultural organizations with an invitation to join the network. Furthermore, the pop-up exhibition introduces the Ars Electronica Festival audience to a selection of promising emerging Dutch artists who participated in the network. The event will close with an informal drink to continue the conversation on the opportunities for young artists and cultural organizations within the Summer Sessions network for talent development.

This event will also form a meeting point to discuss how to strategically further develop these international opportunities for emerging and young professionals with the network’s past and present partners. The partners in the 2016 edition of the Summer Sessions include Chronus Art Center (China), the National University of Tres de Febrero (Argentina), the National Taiwan Museum of Fine Arts (Taiwan), PNEK (Norway), iMAL (Belgium), Arquivo 237 (Portugal), Kitchen Budapest (Hungary), Metamedia Association (Croatia), Interactive Media Design Lab, NAIST (Japan) and V2_ Institut for the Unstable Media (The Netherlands). This program is made possible by the generous support of the Creative Industries Fund (NL).

A Hipster Bar

Max Dovey (UK)
A Hipster Bar uses a customer image-recognition application to only admit people who are recognized as hipsters by a computer algorithm. The doors to this bar will only open if you are at least 90 percent hipster, making it the world’s first automated hipster bar. By sourcing thousands of images of hipsters (from Instagram) Max Dovey has attempted to train an algorithm to recognize the visual characteristics of a hipster.

Union Scope

Fako Berkers (NL)
Union Scope finds iconic images on the Internet from different European cultures, about topics that concern Europeans today. It displays these images by country inside a map of the European Union, revealing the cultural differences and similarities that exist within Europe around topics that concern European citizens. Searching for images online it is easy to forget that the images one finds are significantly informed by the culture one was raised in. Union Scope provides the opportunity to explore this cultural bias in image searches, revealing different cultural views on European topics.

Woof & Wow

Gaspard Bos (NL), Charlot Boonekamp (NL)
Woof & Wow develops techniques for transforming plastic bottles into woven products to be used by arts and crafts people or industrial designers. The aim of Woof & Wow is to include the world’s most disadvantaged communities in the process of design and production of products from waste, as they are moreover the ones that pick up the rest of the world’s trash. At the Festival Ars Electronica, Woof & Wow will exhibit a stool designed by Icelandic designer Marta Sif in collaboration with an arts and crafts community in Peru. The exhibition will include the custom-made tools that were used to produce it, as well as a swing made from the same material.

The Physical Mind

Teun Vonk (NL)
The Physical Mind is Vonk’s attempt to let participants experience the relation between their physical and mental states by applying physical pressure to the body. The installation consists of two inflatable objects between which a participant lies down, then to be lifted up and gently squeezed between the curves of the two objects. While the lifting creates an unstable feeling, this stressful sensation then soon contrasts with the secure feeling of being gently squeezed between two soft objects. Besides this experience for the participants, the installation also evokes feelings of empathy among bystanders who watch participants undergoing the experience.

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Participation and Political Socialization in the Age of New Media https://ars.electronica.art/radicalatoms/en/politikneuemedien/ Mon, 01 Aug 2016 11:10:21 +0000 https://ars.electronica.art/radicalatoms/?p=2525

An event produced jointly by the Upper Austria Teacher-Training College, Upper Austria Chamber of Labor and the Ars Electronica EducationLab

For several years now, new social media have been changing how people communicate and thus our everyday life. Especially among young people, these media now constitute a central part of their lived reality. Even our political discourse is increasingly conducted via Facebook, Twitter and similar platforms, which thus open up new forms of sociopolitical participation and socialization. The conference will confront this new reality and the challenges accompanying it, and scrutinize the impact of this development on political education. The offerings—in a variety of formats—include a presentation of the latest social developments and market research data, a methodological-didactic exchange of views, game modules, and a round-table discussion with prominent, expert panelists. This conference is being staged in conjunction with the 2016 Ars Electronica Festival, an encounter with key issues being raised by trends in social development that are the upshot of innovative technologies. Conference participants have the opportunity to take a guided tour of the festival venue. Participation is free of charge; preregistration is mandatory: www.ph-ooe.at/partizipation_2016

Read more about this conference on our Ars Electronica Blog!

THU September 8, 2016

1 PM–1:20 PM Opening
1:20 PM–1:30 PM Procedural remarks
1:30 PM–2:10 PM Speech: Participation and Political Socialization in the Age of New Media (Peter Filzmaier)
2:10 PM–2:30 PM Speech: Factors in Political Socialization from the Perspective of Two Young People (Peter Repczuk & Anja Engelbrechtslehner)
2:30 PM–2:45 PM Audience comments
2:45 PM–2:55 PM Procedural remarks and assignment to workshops
2:55 PM–3:15 PM Coffee break
3:15 PM–5:15 PM

Two-hour workshops

  • Workshop 1: DiY Democracy Repair Café (Florian Sturm & Tamara Ehs – IG-Demokratie)
  • Workshop 2: Current Internet Phenomena: Fascination and Prevention (Peter Eberle, Institute for Addiction Prevention & Tina Greul, student at HBLA–High School of Artistic Design, Linz)
  • Workshop 3: Virtual Reality – Das Erkenntnisspiel (Harald Prochaska, Otelo eGen & Martin Hollinetz, Otelo eGen)
  • Workshop 4: Social Media: Playground for Right-wing Extremism (Erwin Feierl-Giedenbacher, AK–Upper Austria Chamber of Labor & Hans-Christian Gruber, University of Salzburg)
3:15 PM-4:15 PM

One-hour workshops

  • Workshop 5: Focus on Compassion: Youth, Politics and Participation (Patrick Danter, Sapere Aude & Markus Luger, Otelo eGen)
  • Workshop 6: The “Arab Spring”: An Example of the Power of New Media? (Thomas Mohrs, PH OÖ teachers’ college)
  • Workshop 7: Utility of e-Learning Tools for Political Education (ZILLE Team, PH OÖ)
  • Workshop 8: Smartphones at the Nexus of Usefulness and Exploitation (Jakob Feyerer & Marianne Kapeller, PH OÖ & Hilde Zauner, AK OÖ)
4:15 PM–5:15 PM

One-hour workshops

  • Workshop 9: A Demoscopic Analysis of First-time and Young Voters (Peter Bruckmüller, SPECTRA)
  • Workshop 10: u19 Winners (Golden Nica u19 & Marion Friedl, Prix Ars Electronica)
  • Workshop 11: KulturKontakt Austria: Cultural Education and Participation in Social Life at School (Gabriele Bauer)
  • Workshop 12: NEET–Young People and Political Participation (Baldur Sailer, Association of Viennese Youth Centers)
5:15 PM–5:35 PM Coffee break
5:35 PM–6:35 PM

Panel discussion: Participation and Political Socialization in the Age of New Media

  • Elisabeth Wehling (University of California at Berkely)
  • Meral Akin-Hecke (Digital Champion Austria)
  • Simon Wesp (U-19 „Kameleon.ws“)
  • Peter Bruckmüller (SPECTRA)
  • Joachim Rathke (Schauspieler, Regisseur)
  • Moderation: Oberösterreichische Nachrichten
6:45 PM–7:30 PM Guided tour POSTCITY

FRI September 9, 2016

9 AM0–9:10 AM Procedural remarks
9:10 AM–10 AM Speech and discussion: Reflection, Orientation and Participation. Political Didactics and New Media, Thomas Hellmuth (University of Vienna)
10 AM–11 AM Speech and discussion: Political Framing and Opinion Formation in the (Social) Media, Elisabeth Wehling (University of California at Berkeley)
11 AM–11:15 AM Filmtrailer – Die Konferenz (PH-TV Team)
11:15 AM–11:30 AM Coffee break
11:30 AM-12:55 PM World Café
12:55 PM-1:40 PM Speech and discussion: Between Spectatorship and Deselection—Commitment as Event and Cocooning 2.0: The “Generation Crisis” as Challenge for the Political System (Beate Großegger, Institute for Youth Culture Research)
1:40 PM–1:50 PM Brief intervention: Evaluation
1:50 PM–2 PM Conclusion of the conference
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