algorithm – Artificial Intelligence https://ars.electronica.art/ai/en Ars Electronica Festival 2017 Tue, 28 Jun 2022 13:43:24 +0000 en-US hourly 1 https://wordpress.org/?v=4.9.6 A living piece of architecture https://ars.electronica.art/ai/en/living-piece-architecture/ Thu, 17 Aug 2017 14:33:26 +0000 https://ars.electronica.art/ai/?p=1672

Julian Jauk (AT)

A living piece of architecture is a conceptual utopian design for housing beyond smart homes, intended to overcome existing dualisms such as digital and material, artificial and natural.

The kinetic, photosensitive and adaptive model shows a type of architecture that constantly changes its morphology to adapt not only to the environment but also to human emotions.

The shape, size and speed of adaptation are controlled by an evolutionary optimization algorithm, which is a bionic technology inspired by nature. But instead of a lifetime cycle, one iteration takes just a few seconds. This algorithm follows biological criteria for life that have been transferred to architecture, such as physical irritability, and growth through tensile materials within a self-regulating system. Participants are invited to stimulate the architecture by setting it to their mood by changing the energy and light sources, as the building is intended to evolve from the climate given in this way—like plants or animals do.

Credits

Univ.-Prof. Dipl.-Arch. Dr.sc.ETH Urs Leonhard Hirschberg
Institut für Architektur und Medien, Technische Universität Graz

Priv.-Doz.in Mag.a Dr.in Doris Haas
Institut für Hygiene, Mikrobiologie und Umweltmedizin, Medizinische Universität Graz

Ao. Univ.-Prof. Mag. Dr.rer.nat. Martin Grube
Institut für Pflanzenwissenschaften, Universität Graz

Assoc. Prof. Dipl.-Ing. Dr.techn. Franziska Hederer
Institut für Raumgestaltung, Technische Universität Graz

Ao. Univ.-Prof. Priv.-Doz. Dr.phil. Werner Jauk
Institut für Musikwissenschaft, Universität Graz

Univ.-Ass. Mag. Dr.rer.nat Emanuel Jauk
Institut für Psychologie, Universität Graz

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Recognition https://ars.electronica.art/ai/en/recognition/ Tue, 08 Aug 2017 21:02:42 +0000 https://ars.electronica.art/ai/?p=2325

Fabrica (IT)

Can a machine make us look at art through the lens of today’s world? Inspired by the paradoxes of bringing AI to a museum applying rational and objective thinking to a subjective field like art, Recognition uses artificial intelligence algorithms to compare photographs from current events as they unfold from the international press agency Reuters with British art from the Tate collection.

Over three months from September 2 to November 27, 2016, Recognition created a virtual gallery that ran 24 hours a day, comparing Tate’s archive and collection of British art online with the most recent news images from Reuters. The matches were based on visual and thematic similarities found by the algorithm through a multi-criteria pattern. The public could explore the virtual gallery of matches online at http://recognition.tate.org.uk and in the gallery at Tate Britain through an interactive display.

Credits

Artists: Coralie Gourguechon (FR), Monica Lanaro (IT), Angelo Semeraro (IT), Isaac Vallentin (CA).

Credits: IK Prize in partnership with Microsoft
Created by Fabrica and Jolibrain
Content Provider: Reuters

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chains https://ars.electronica.art/ai/en/chains/ Tue, 08 Aug 2017 13:49:23 +0000 https://ars.electronica.art/ai/?p=2227

Daito Manabe (JP), Yusuke Tomoto (JP), 2bit Ishii (JP)

Chains is an interactive installation dealing with the bitcoin cryptocurrency. Based on experiments with automatic trading systems, the artists developed a system to visualize and thereby study the principle of block chains.

The participants can experience fluctuations in bitcoin values via sound and images in real time and interact with an automated transaction algorithm enabling them to manage bets and receive virtual payments according to their bet. In doing so the installation also raises critical questions about contemporary finance and trading systems.

Credits

Chains was developed at ZKM of Karlsruhe, Germany and was exhibited at GLOBALE: New Sensorium. It is an evolved version of the 2013 traders installation that was developed as a follow-up project and visualized Tokyo’s stock market live.

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Learning to See: Hello, World! https://ars.electronica.art/ai/en/learning-to-see/ Tue, 08 Aug 2017 06:10:43 +0000 https://ars.electronica.art/ai/?p=1791

Memo Akten (TR/UK)

A deep neural network opening its eyes for the first time, and trying to understand what it sees.

Originally inspired by the neural networks of our own brain, deep learning artificial-intelligence algorithms have been around for decades, but they are recently seeing a huge rise in popularity. This is often attributed to recent increases in computing power and the availability of extensive training data. However, progress is undeniably fueled by the multi-billion-dollar investments from the purveyors of mass surveillance: Internet companies whose business models rely on targeted, psychographic advertising, and government organizations and their War on Terror. Their aim is the automation of understanding big data, understanding text, images and sounds. But what does it mean to “understand”? What does it mean to “learn” or to “see”?

Learning to See is an ongoing series of works that use state-of-the-art machine-learning algorithms as a means of reflecting on ourselves and how we make sense of the world. The picture we see in our conscious minds is not a direct representation of the outside world, or of what our senses deliver, but of a simulated world, reconstructed according to our expectations and prior beliefs. The work is part of a broader line of inquiry about self-affirming cognitive biases, our inability to see the world from others’ point of view, and the resulting social polarization.

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Experts Tour: The Neural Aesthetic https://ars.electronica.art/ai/en/expertstour-neuralaesthetic/ Wed, 02 Aug 2017 06:20:20 +0000 https://ars.electronica.art/ai/?p=1882

Gene Kogan will introduce the field of machine learning and its existing and speculative implications to new media and art in general. He will discuss applications of neural networks and associated algorithms to producing images, sounds, and texts, showing examples of contemporary works using these abilities. Gene Kogan will also present two of his own works intersecting machine learning and generative art.

SAT Sept. 9, 2017

SAT Sept. 9, 2017, 3:00 PM-4:30 PM

Infos

Meeting Point: POSTCITY WE GUIDE YOU Meeting Point
Duration: 90 minutes
Language: English
Price: € 16 / € 12 reduced

Register now!
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