While Rock Print appeared massive, it was relatively lightweight due to the use of foam-glass gravel. Two years later, the research breakthroughs are responding equally strongly to an ecological and technological agenda: No additives, no substitutes, no mortar, no formwork, just real string and real gravel. It is the purest yet most highly advanced presentation of the robotic fabrication of jammed gravel held in place by computed and robotically placed string patterns to form architectural structures. It is a solid massif built up from loose rock: a Manistone.

Credits

Gramazio Kohler Research, ETH Zürich

Team: Petrus Aejmelaeus-Lindström and Gergana Rusenova (project lead), Ammar Mirjan, Romana Rust, Hannes Mayer, Fabio Gramazio, Matthias Kohler

In cooperation with: Prof. Hans J. Herrmann, Dr. Falk K. Wittel with Pavel Iliev (Institute for Building Materials, ETH Zurich)

Project funding: ETH Zürich Foundation

Selected experts: Self-Assembly Lab, Massachusetts Institute of Technology (MIT)

About the artists

Gramazio Kohler Research
Since its inception in 2005 the research group at ETH Zürich led by Prof. Matthias Kohler and Prof. Fabio Gramazio has been at the forefront of robotics and digital fabrication in architecture. With their robotic laboratories and work ranging from prototypes to building elements, they have inspired architects and researchers alike to explore the capacities of the industrial robot as a universal tool of the digital age.

Read more: starts-prize.aec.at.

This project is presented in the framework of the STARTS Prize 2017. STARTS Prize received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 732019.

My laboratory-based collaboration with biochemists developed Algae Printing, which applies inkjet printing technology to seed algae on paper to grow and harness their air purification, health food, and bioelectricity applications in one compact creative system– a new concept of designing with living microbes.

Algaerium Bioprinter is an installation contextualizing the Algae Printing technology and points towards bioindustry–an emerging development within the field of biodesign from ‘intellectual consumption’ to ‘utilitarian consumption’.

Credits

Dr. Marin Sawa in collaboration with Imperial College London (Peter Nixon and Klaus Hellgardt); BPV work: Dr. Andrea Fantuzzi (Imperial), Dr. Paolo Bombelli (Chris Howe group, University of Cambridge)

Supported by the University of the Arts London: Central Saint Martins College of Arts and Design for the award of the International Graduate Scholarship 2011/12 (full-time doctoral research at CSM) and Imperial College London.

About the artist

Marin Sawa (JP/UK) is a London-based Japanese designer/researcher practicing experimental design at the intersection with biotechnology. She has recently successfully completed her PhD research at CSM-UAL, which was done in collaboration with Imperial College London where she is a Visiting Researcher. She has the AA lntermediate Examination from the AA School of Architecture, an MA in design from CSM, and has work experience with various architects and designers studios, including Kengo Kuma and Associates, Tokyo and the London-based Loop.pH. Her research works have been internationally exhibited and she has published particularly in the area of biodesign.

Read more: starts-prize.aec.at.

This project is presented in the framework of the STARTS Prize 2017. STARTS Prize received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 732019.