net.culture.space
Seit 3. Juli 2007 betreibt Ars Electronica mit Unterstützung der Telekom Austria den net.culture.space im quartier21 des Wiener Museumsquartiers. Mit dieser Einrichtung entstand ein permanentes Installationsprojekt, das der Kunst und Kultur der vernetzten Kommunikation in ihren vielfältigen und dynamischen Formen gewidmet ist.
Im net.culture.space werden keine herkömmlichen Ausstellungen, sondern thematisch gruppierte interaktive Szenarien präsentiert, die sich über unmittelbares Erleben und Erfahren erschließen – zeitgenössische Medienkunst in Form von kritischen Gegenmodellen, lustvollen Experimenten, innovativen Applikationen und ironischen Sidekicks. Die Themenschwerpunkte bilden eine viermonatige Klammer für unterschiedliche Projekte, die im Abstand von rund vier Wochen wechseln.
net.culture.space kann bei freiem Eintritt täglich von 10.00 bis 20.00 Uhr besucht werden. Infotrainer unterstützen nicht nur bei der richtigen Bedienung der Installation, sondern leisten darüber hinaus auch Vermittlungsarbeit. Diskussionsrunden, Spezialführungen und ein Blog ergänzen die interdisziplinäre Auseinandersetzung mit den jeweiligen Schwerpunktthemen. Der erste Themenschwerpunkt „Web 2.0 – Digital Communities“ (Juli bis Oktober 2007) gilt den Ausprägungen einer neuen Netzkultur. Die ersten, unter dem Titel „net.culture.21“ vorgestellten Arbeiten oszillieren zwischen lustvollem Eintauchen in digitale Räume und kritischer Distanz zu dieser „schönen neuen Welt“.
G-Player by Jens Brand The G-Player’s physical appearance isn't the only thing about it that’s reminiscent of a CD player or a turntable; it functions according to a similar principle too.The G-Player can track the position of more than 1,000 satellites and simulate their orbits. The topography of the terrain being overflown is then analyzed and set to music like an audio file. Just like the grooves of a vinyl disc, mountain ranges generate more dynamic structures than flat landscapes. G-Player is an innovative and ironic play on prevailing trends in media art: for one thing, it conceives of digital information as a palpable, analog reality; on the other hand, it undermines the primacy of visual input that is incessantly focused on the quick overview and speedy consumption. In accordance with the G-Player’s logic, the oceans are “mute.” And since 70% of the Earth's surface is covered by water, the G-Player is “quiet” most of the time. Thus, leisure and patience are called for on the part of those who wish “to hear the Earth.”
Shared Design Space by Hagenberg Technical College, Digital Media Program Shared Design Space illustrates how an interactive desk might look in the office of the future that get along without keyboard and mouse. Its desktop functions as a high-definition projection surface that's linked up with an interactive presentation wall. The entire desk surface can be used as a digital graphic tablet. Ideas and concepts can be sketched using a wireless stylus and combined with digital content. The final result can then be sent to the digital wall display for viewing.
Noise & Voice by Golan Levin (USA), Zachary Lieberman Ever seen your own voice? Noise & Voice makes everything audible visible as well. Here, your larynx becomes an instrument that lets you create virtual sculptures. In response to each sound, the computer generates an animated three-dimensional graphic whose form, color and motion correspond to the pitch, tone and intensity of the sound. Special data goggles feed these visuals into the user’s field of vision and thus make them visible right at the location at which they originated.
WikiMap Vienna by Ars Electronica Futurelab A city map can do a lot more than merely provide an overview of streets and buildings. It can reflect the lives of the people who walk along those streets and live in those buildings.WikiMap Vienna is just such a city map. www.wikimap.at/ncs implements a “location-based multimedia storytelling” feature that lets anybody customize buildings, streets and squares by adding texts, images and sounds to them. WikiMaps are suited to a wide variety of projects and agendas—from artistically inspired encounters with the cityscape to manifestos on future urban planning issues. The result is a map comprised of information, impressions and sounds, though actually not a conventional map at all, but rather an interactive domain of knowledge and communication.
Flick_rBoard by Ars Electronica Futurelab Whether its photos and greetings,wishes, suggestions or complaints you want to post, you can do it better with Flick_rBoard, an updated version of the blackboard. This media installation thrives on user-contributed content and constitutes a dynamic public communications platform. Tablet PCs register handwritten notes and pictograms, or let you add scribbles to photos you’ve already taken. These communiqués appear as Post-its and Polaroids on digital bulletin boards, and can be sent back and forth between Vienna and Linz or posted to Flickr.
Translated from German by Mel Greenwald
www.netculturespace.at
Curators: Gerfried Stocker, Christopher Lindinger; Exhibition design: Scott Ritter, Jakob Illerer net.culture.space created by Telekom Austria and Ars Electronica
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