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Festival Ars Electronica - Festival for art, technology and society Ars Electronica 2005: Hybrid Concerts, Events, Performances
Ars Electronica 1996: Memesis
Ars Electronica 2000: Next Sex
Ars Electronica 2001: Takeover
Ars Electronica 2002: Unplugged
Ars Electronica 2003: CODE
Ars Electronica 2004: Timeshift
Ars Electronica 2005: Hybrid
Artists / Speakers
Concerts, Events, Performances
Conferences
Exhibitions
Social Events / Openings
Sujet
Ars Electronica 2006
Ars Electronica 2007
Ars Electronica 2008
Ars Electronica 2009
The very best of Ars Electronica 1979 - actual
Results sorted by: Year Picture Title Source
Pictures per page: 5 10 20

Listening between the Lines
Line III


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Listening between the Lines
Line III


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line III
John Cage: In the Name of the Holocaust (1943)
Performed by Maki Namekawa


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Listening between the Lines
Line III
John Cage: In the Name of the Holocaust (1943)
Performed by Maki Namekawa


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line III
John Cage: In the Name of the Holocaust (1943)
Performed by Maki Namekawa


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line III
John Cage: In the Name of the Holocaust (1943)
Performed by Maki Namekawa


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line III
John Cage: In the Name of the Holocaust (1943)
Performed by Maki Namekawa


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line III
John Cage: In the Name of the Holocaust (1943)
Performed by Maki Namekawa


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Listening between the Lines
Line IV
Jaap Blonk: Adaptation of Kurt Schwitters’ Ursonate (1986 and 2003)
Performed by Jaap Blonk, Visuals by Golan Levin


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV
Jaap Blonk: Adaptation of Kurt Schwitters’ Ursonate (1986 and 2003)
Performed by Jaap Blonk, Visuals by Golan Levin


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV
Jaap Blonk: Adaptation of Kurt Schwitters’ Ursonate (1986 and 2003)
Performed by Jaap Blonk, Visuals by Golan Levin


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV
Jaap Blonk: Adaptation of Kurt Schwitters’ Ursonate (1986 and 2003)
Performed by Jaap Blonk, Visuals by Golan Levin


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV
Jaap Blonk: Adaptation of Kurt Schwitters’ Ursonate (1986 and 2003)
Performed by Jaap Blonk, Visuals by Golan Levin


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV
Jaap Blonk: Adaption Kurt Schwitters Ursonate (1986 and 2003)
Performed by Jaap Blonk, Visuals by Golan Levin


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV
Josef Klammer: VoxFox (2005)
Performed by Josef Klammer


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Listening between the Lines
Line IV
Josef Klammer: VoxFox (2005)
Performed by Josef Klammer


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
Listening between the Lines
Line IV
Josef Klammer: VoxFox (2005)
Performed by Josef Klammer


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Listening between the Lines
Line V
Elliott Carter: Dialogue (2004)
Performed by Bruckner Orchester Linz, Maki Namekawa / Dennis Russell Davies, Visuals by Eva Teppe


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Listening between the Lines
Line V
Elliott Carter: Dialogue (2004)
Performed by Bruckner Orchester Linz, Maki Namekawa / Dennis Russell Davies, Visuals by Eva Teppe


Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
view download printversion
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