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Closeness vs Dislocation
Source: Ludwig Boltzmann Institute for Media.Art.Research
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
Marc Ries (AT)LBI- Medien. Kunst. Forschung
Source: rubra
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Marc Ries (AT)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Marc Ries (AT)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Lev Manovich (US)
Source: rubra
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Lev Manovich (US)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Lev Manovich (US)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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printversion
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Closeness vs. Dislocation
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Ted Nelson (AU)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Ted Nelson (AU)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
Gunther Reisinger (AT)
Source: rubra
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
: Dieter Daniels (DE)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
LBI- Medien. Kunst. Forschung
: Dieter Daniels (DE)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
Charlie Gere (UK)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
Charlie Gere (UK)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
Charlie Gere (UK)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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printversion
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Closeness vs. Dislocation – Contextualising Net-Based Art
Charlie Gere (UK)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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printversion
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Closeness vs. Dislocation – Contextualising Net-Based Art
Verena Kuni (CH)
Source: rubra
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Closeness vs. Dislocation – Contextualising Net-Based Art
Verena Kuni (CH)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Closeness vs. Dislocation – Contextualising Net-Based Art
Verena Kuni (CH)
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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