www.aec.at  

ARS ELECTRONICA CENTER
ARS ELECTRONICA FESTIVAL
PRIX ARS ELECTRONICA
ARS ELECTRONICA FUTURELAB
CORPORATE DESIGN

Festival Ars Electronica - Festival for art, technology and society Ars Electronica 2005: Hybrid Exhibitions
Ars Electronica 1996: Memesis
Ars Electronica 2000: Next Sex
Ars Electronica 2001: Takeover
Ars Electronica 2002: Unplugged
Ars Electronica 2003: CODE
Ars Electronica 2004: Timeshift
Ars Electronica 2005: Hybrid
Artists / Speakers
Concerts, Events, Performances
Conferences
Exhibitions
Social Events / Openings
Sujet
Ars Electronica 2006
Ars Electronica 2007
Ars Electronica 2008
Ars Electronica 2009
The very best of Ars Electronica 1979 - actual
CyberArts 2005
how long does the subject linger at the edge of the volume...
Marc Downie, Shelley Eshkar, Paul Kaiser – The OpenÈnded Group (US)

Infrared cameras record the movements of dancers whose clothing is outfitted with markers that the cameras can track. The images are then processed by a motion-capture system. At this point, a complex system of analysis and combination commences: software interprets the movements, visualizes in real time possible intentions of the dancers and spatial links between them, and thus produces a conceptual extrapolation of the choreography.

Prix Ars Electronica 2005, Award of Distinction Interactive Art

Source: rubra

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.

download printversion
back
 

© Ars Electronica Linz GmbH, info@aec.at