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Ars Electronica 2005
Imago
STWST (AT)
Digital processes break down the voice of a singer into its component parts, and then transform and duplicate them until the listener can no longer clearly differentiate between the actual voice and the digital one. What’s more, the singer’s image is projected onto a display, where it, in turn, is overlaid by a digital face that comes to develop a life of its own.
Source: rubra
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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