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Kunst gegen Gewalt: Iconic Panopticon
Sharif Waked/IL
demonstrates the underlying relationships of power. Rectangular columns are draped with black cloth like that of a burka, the traditional outer garment of Afghan women. At eyelevel, monitors display videos of a “fashion show of self-distortion.” Isolated female bodies symbolize the isolation, the restrictions on behavior, and the powerlessness of an entire people.
Supported by: Initiative Kunst gegen Gewalt
Source: Sharif Waked
Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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