www.aec.at  

ARS ELECTRONICA CENTER
ARS ELECTRONICA FESTIVAL
PRIX ARS ELECTRONICA
ARS ELECTRONICA FUTURELAB
CORPORATE DESIGN

Festival Ars Electronica - Festival for art, technology and society Ars Electronica 2003: CODE Installations
Ars Electronica 1996: Memesis
Ars Electronica 2000: Next Sex
Ars Electronica 2001: Takeover
Ars Electronica 2002: Unplugged
Ars Electronica 2003: CODE
Artists / Speakers
Concerts, Events & Performances
Conferences
electrolobby
Festival Sujet
Installations
Social Events
Ars Electronica 2004: Timeshift
Ars Electronica 2005: Hybrid
Ars Electronica 2006
Ars Electronica 2007
Ars Electronica 2008
Ars Electronica 2009
The very best of Ars Electronica 1979 - actual
CODE Exhibition
Matarisama Dolls
Masahiro Miwa, Noriaki Ogasawara (J)

Reservse simultation is what Masahiro Miwa calls his working methode, whereby musicians learn, rehearse and play compositional structures developed by computer. In addition, customized mechaniacal devices are used to perform the music. This installation is an allusion to Matarisama, an acient Japanese art form in which unmarried men and women annually perform a ceremony with bells and castanets.

Supported by IAMAs, Institute of Advanced Media Arts and Sciences, Gifu, Japan

Source: Sabine Starmayr

Cross-reference: The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.

download printversion
back
 

© Ars Electronica Linz GmbH, info@aec.at