Two Prix Ars Electronica 2002 prizewinners in Digital Musics perform in a concert setting that invites contemplation.

In Wounded Man’yo, 9/2002, Yasunao Tone uses the process of wounding—specially preparing compact discs—to produce completely new tonal worlds (Golden Nica).

Curtis Roads presents Point, Line, Cloud, the result of his many years of experimentation with micro-sounds: a granular, pulsing synthesis to generate and manipulate sound from acoustic particles (Award of Distinction).