In the dance performance Vivisector, the dancer changes the color of his skin, bodies duplicate themselves, dissolve and mutate into negative matter. Vivisector breaks the linearity of movement and in doing so shows the absurdity of momentum. To what extent does the quality of movement of the virtual world influence real sequences of human movement? This dance performance investigates and transcends physical boundaries by means of video-technological expansion, whereby it considers body language, dynamics, speed and physical presence from new choreographic aspects.

Chris Haring: Choreography, Dance
Klaus Obermaier: Visual Concept, Video Art, Composition
Dance: Tom Hanslmaier, Chris Haring, Konstantin Mishin, Olaf Reinecke

 http://www.exile.at/vivisector.html

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