Everything audible may be sampled ("computerized"). And in my composition there are exclusively sampled sounds to be heard. From minimal particles of every-day's sounds - from the motorbike to Mozart - I try to set up complex musical images. In this context I am specially interested in the possibility of having well-known casts of instrumentations in their original sounds play with or against each other in hitherto unknown formations with the help of the computer. (M. Fischer-Dieskau)