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Die große Partitur – The Great Score
Seppo Gründler, Elisabeth Schimana (A)
A concert based not on notes but rather upon a temporal and functional structure. The score is simultaneously a projected image and illumination. Paths through the history of electronic music—from musicianship to sampling to autonomous processors.
Source: rubra
The right to reprint is reserved for the press; no royalties will be due only with proper copyright attribution.
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Festival Ars Electronica - Festival für Kunst, Technologie und Gesellschaft
