At which venues of artistic production does art enter into a dialog with media, science and technology? What can these locations tell us about the unique aspects of working in media art? How are they connected to various scientific, academic, military, economic and other contexts? What is the source of the legitimacy ascribed nowadays to the existence of a separate discourse and special institutions dedicated to media art? What are the specific features of these places, and where might their future lie?

Panel discussion organized by the Ludwig Boltzmann Institute Media.Art.Research in cooperation with re:place 2007, The Second International Conference on the Histories of Media Arts, Sciences and Technologies

With Dieter Daniels (AT/DE), Andreas Broeckmann (DE), Gunalan Nadarajan (SG/US), Edward Shanken (US), José-Carlos Mariátegui (PE), Tim Druckrey (US) et al.