Media Art as Guidance System
Watercourses form axes. They connect and mediate, they move and direct. And they do so in the new headquarters of SAP Germany too. Here, state-of-the-art technology and one of human culture’s oldest navigational aids merge to form Quell.Code, a network of interactive signage pointing the way to the Visitors Center.
“Follow the Water!”
From its spring near the parking lot, the water makes its way to a 27-meter-tall steel Stele that functions as both a landmark and an interactive architectural element. Physical contact makes its inner workings pulse with light to the rhythm of the respective visitor’s heartbeat. From here, the watercourse flows toward the main entrance. Upon arrival, it morphs into a virtual current of data fed by the global processes of SAP software.
Every bit of system input and each line of recorded information is visualized as a “process-creature” swimming in a flow of data in which these virtual inhabitants interact with guests. The movement of the flow is taken up by the mechanically driven Data Wheel. The motive force for its rotation is provided by the “sum of all staff activities” in the SAP system.
The stream of data flows on, following the elevator car on its upward path with countless process-creatures along for the ride. Each of these swarms is formed on the basis of the attributes of the particular process that triggered it; the identity of the overall business process to which it belongs is revealed as a form of greeting in the headquarters’ 4th Upper Level. This is the destination: the new Visitors Center.
The Aquarium provides access to the substantive contents that are assigned to each respective creature; those going over the Data Fall—depicted as symbolic torrent of 1s and 0s—pass through a display. Being “touched” by visitors bursts the links of these character chains and they fall individually like raindrops back to the original source.
As a work of media art, this guidance system is meant as a statement that sets up a dialog between nature and culture—that is, human beings and architecture—and simultaneously opens up a lively, individualized way of looking at SAP’s business and information processes.
Special thanks to:
Emil Schweizer, Ernst Filbert, Klaus Nadler, Axel Stehrenberg, Albrecht Diener, Jörg Milde, Klaus Ketterer, Hannes Schreiner
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