Kim chose 3-D animation techniques for his digital prints and moving images to explore the intervals and mix the host and object of desire.
In his recent series of She, the bodies are fragmented and distorted. This hybrid form creates uncanny and uncomfortable balancing acts by crashing the paradigm of real vs. fake, old vs. new, who we want to be vs. who we are, self-definition vs. cultural expectations.
She – teapot, 2018
64 x 40 cm, digital print with AR application
She – red ear, 2018
64 x 40 cm, digital print with AR application
She – calf, 2018
64 x 40 cm, digital print with AR application