Aquatocene investigates the phenomenon of underwater noise pollution created by humankind in the seas and oceans’.
Compositions made by artist are result of a number of recordings using hydrophones in different locations around the globe in last 5 years, to encourage us to reflect on ‘the anthropogenic sonic impact on the underwater habitat and marine life’.
presented as part of
Aqua_forensic
Underwater Interception of Biotweaking in Aquatocene
by Gjino Šutić and Robertina Šebjanič
Credits:
Artist (development / sound recording / sound editing):
Robertina Šebjanič
Production support:
Kibla, Bunker, Zavod Praksa, Piksel festival, 1.camp residency program at Roscoff Marine Station, Sektor Institute, Universal Sea research
Special thanks to:
Annick Bureaud, MY studio – Yann Jaffiol, UR Institute, Slavko Glamočanin, PORTIZMIR#3, Miha Colner, Ars Electronica
Project was supported by the Ministry of Culture of the Republic of Slovenia and MOL – Department for Culture, Fondation Daniel et Nina Carasso