TGarden, a prototypical example of ways in which artists work today and the issues they face, functions at the intersection of a multiplicity of social worlds: institutionally-based knowledge production, techno-scientific research, art and performance. The installation is both a “responsive environment” in which participants can move about in playful fashion and a method to conceive and build such environments. A new kind of game space? A club? All of these are thoroughly conceivable trajectories for TGarden. Ars Electronica presents *one* micro-manifestation of this project.

Collaborating artists/designers/researchers: Cynthia Bohner-Vloet, Maja Kuzmanovic, Ozan Cakmakci, Steven Pickles, Cocky Eek, Joel Ryan, Laura Farabough, Christopher Salter, Nik Gaffney, Sha Xin Wei, Evelina Kusaite, Yifan Shi, Peggy Jacobs, Dave Tonessen, Marchel van Doorn
The research, development and production of TGarden(tm) is supported by the financial assistance of: Banff Center for the Arts, Media and Visual Arts, Ars Electronica 2001, V2-Institute for the Unstable Media, Georgia Institute of Technology, STEIM, Daniel Langlois Foundation for Art, Science and Technology, Starlab, NV

TGarden, a prototypical example of ways in which artists work today and the issues they face, functions at the intersection of a multiplicity of social worlds: institutionally-based knowledge production, techno-scientific research, art and performance. The installation is both a “responsive environment” in which participants can move about in playful fashion and a method to conceive and build such environments. A new kind of game space? A club? All of these are thoroughly conceivable trajectories for TGarden. Ars Electronica presents *one* micro-manifestation of this project.

Collaborating artists/designers/researchers: Cynthia Bohner-Vloet, Maja Kuzmanovic, Ozan Cakmakci, Steven Pickles, Cocky Eek, Joel Ryan, Laura Farabough, Christopher Salter, Nik Gaffney, Sha Xin Wei, Evelina Kusaite, Yifan Shi, Peggy Jacobs, Dave Tonessen, Marchel van Doorn
The research, development and production of TGarden(tm) is supported by the financial assistance of: Banff Center for the Arts, Media and Visual Arts, Ars Electronica 2001, V2-Institute for the Unstable Media, Georgia Institute of Technology, STEIM, Daniel Langlois Foundation for Art, Science and Technology, Starlab, NV