STARTS PRIZE’18 – Honorary Mention
phosphere is an exploratory harmonization of two distinct spaces—a dance stage and an installation component—into one performative spatial whole. Effective use of the space at Gallery AaMo necessitated a number of tricks to ensure that the installation retained its three-dimensionality even when viewed from myriad vantage points. For example, the dance component integrates a wire frame outfitted with multiple mobile cubes of varying size. The deft interaction of dancer movement along with laser projection amplifies the three-dimensionality of the entire space, imparting the viewer with a heightened sense of geometricity. Material physicality is given parity with optical and acoustical program modeling, and melds on an equal level to produce a wholly hybrid performative space.
The performance is divided into nine scenes. The omnidirectional projection accesses a scanned 3D model to produce three-dimensional video onstage that interacts with the dancers’ bodies. It should be noted that although holograms have been the subject of diverse research since the advent of media art, insufficient scalability and security at the current stage have hampered their application in the realm of performance art.
As such, the omnidirectional projection introduced in phosphere is noteworthy as a new approach to creating life-sized, three-dimensional video that moves onstage with the dancers. By processing in real-time all the elemental movements throughout the entire performance space with motion capture, it is possible to trace the movement of a dancer’s hand, for example, and instantaneously convert that movement into three-dimensional video. In turn, this technology unlocks a new realm of creative possibility, and enables a groundbreakingly minute interplay between dance and video elements. In the pivotal culmination of this spatial interplay, objects are reduced to light, and the human body is restored to the transcendently ephemeral.
Credits:
Stage Director / Choreograph:
MIKIKO
Visual Direction / Technical Direction / Music:
Daito Manabe (Rhizomatiks Research)
Technical Direction / Hardware Engineering:
Motoi Ishibashi (Rhizomatiks Research)
Lighting Design:
Takayuki Fujimoto (Kinsei R&D)
Visual Programming:
Satoshi Horii (Rhizomatiks Research)
Projection system / Software Engineering:
Yuya Hanai (Rhizomatiks Research)
Music:
evala
Sound Design:
Yoshiyuki Kanamori (Oasis Sound Design Inc.)
Space Design:
Takahito Hosono (Rhizomatiks Architecture)
Costume Design:
Yaepon
Stage Manager:
Yoshiko Haraguchi
Stage Section:
Daijiro Kawakami / Dai Matsuoka / Kensuke Sugita
Technical Production Management:
Shintaro Kamijyo (Rhizomatiks Research)
Craft:
Toshitaka Mochizuki, Saki Ishikawa (Rhizomatiks Research)
Technical Support:
Muryo Homma, Tomoaki Yanagisawa, Katsuhiko Harada, Momoko Nishimoto (Rhizomatiks Research)
Art Direction:
Hiroyasu Kimura (Rhizomatiks Design)
Design:
Ichiro Kojima / Kaori Fujii (Rhizomatiks Design)
Web Programming:
Hirofumi Tsukamoto (Rhizomatiks Design)
Producer:
Hidenori Chiba (Rhizomatiks)
Assistant Producer:
Yoko Shiraiwa, Sakiko Yasue (ELEVENPLAY) / Daisuke Komuku (Spiral)
Organized by TOKYO DOME CORPORATION
Planned and Produced by Spiral / Rhizomatiks co.,ltd.
CAST:
NON, KOHMEN, SAYA SHINOHARA, EMI TAMURA, YU TOKUTAKE, MINAKO MARUYAMA, KAORI YASUKAWA, ERISA WAKISAKA(ELEVENPLAY)
Special Thanks:
Elliot Woods (Kimchi & Chips), Joanie Lemercier
Websites:
