| |
|
|
|
||
|
||
 |
||
|
||
| ||||||||||||||||||||
|
|
|
|
|
|
|||||||||||||||
 |
 |
 |
 |
||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||
|
|
 |
 |
 |
 |
 |
 |
|
|
||||||||||||||||||||||||||||||||||||||||||
| |
|||||||||||||||||||||||||||||||||||||||||||||||||||
| |
electrolobby: emerging arts The “experimental array” for the presentation of digital art forms that are actually “impossible to exhibit” has long since established itself as a must-attend annual get-together at Ars Electronica. In recent years, European net-artists, Asian game developers, American hacktivists and African trash-artists have enlivened the lobby of the Brucknerhaus, presenting themselves and their artistic strategies to an occasionally somewhat nonplussed audience. The electrolobby is not an exhibition space for projects; instead, it’s a meeting place, a forum that takes up the question of the design and mediation of the transitory, process-oriented variants of digital art to be found behind the monitors, in the networks and between the program lines of digital code. With the electrolobby Kitchen, this festival within a festival has created a discourse domain of its own in which the electrolobby artists put their positions and works up for discussion and turn a critical eye to what’s been going on at the festival. Austrian Radio FM4 will provide daily updates live from its electrolobby studio. Feat. Veronika Weidinger, Stefan Trischler, Gerlinde Lang
| |
|||||||||||||||||||||||||||||||||||||||||||||||||
| |
|||||||||||||||||||||||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| © Ars Electronica Linz GmbH, info@aec.at | |
||||||||||||||||||||||||||||||||||||||||||||||||||
