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Principles of Indeterminism An Evening from Score to Code Brucknerhaus 09.09. 19:30 | |
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Iannis Xenakis was a visionary composer and architect, whose artistic credo was “Principle of Indeterminism.” His ideas are the leitmotiv of this unusual concert and performance event: an evening that begins in the 1950s and uses a compelling combination of live music and real-time graphics to point the way to the future of digital art. The evening's program features intense sensory input dedicated to the principle of transformation and metamorphosis—from analog to electronic to digital sound; from orchestra to live electronics and digital sound synthesis; from composed to programmed music; from sound into image. metamorph #1 The idea leading to this project resulted from many conversations involving Dennis Russell Davies, Gerfried Stocker, Naut Humon and Rupert Huber. First and foremost, we wish to thank all participating artists who, without exception, committed spontaneously to making this extraordinary evening possible. For the extensive support they provided, we wish to thank the Bruckner Orchestra Linz, Dennis Russell Davies, Dr. Heribert Schröder, ORF Upper Austria, Österreich 1, Claude Mussou / INA (Groupe de Recherches Musicales), Steven Joyce / Boosey & Hawkes, Andreas P. Leitner / Universal Edition AG, Rudolf Andrich / Sacem, Madame Françoise Xenakis, Dianna Santillano / Bill Viola Office, Arcotel Nike, PANI Projection & Lighting Audio/technical concept: Naut Humon and Hubert Havel This concert is a cooperative production of the Ars Electronica Festival and the Brucknerhaus Linz. |
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| © Ars Electronica Linz GmbH, info@aec.at | ||||||||||||||||||||||||||||||
