One of the absolute highlights of every Ars Electronica is the opportunity to meet Prix Ars Electronica prizewinners. Chaired by Prix Ars Electronica jurors, these discussions provide fascinating insights into the individual categories.
The discussion will focus on hybrid technologies and their impact on animation production. Several panels will discuss the developments from the various perspectives of animation filmmakers, media artists, game designers and scientists. One of the Prix forums will host a discussion of current trends by winners in the Prix Ars Electronica’s Computer Animation/Film/VFX category.
In “Die Fahnen Hoch?”, I’ve endeavored to deal critically with the mass gatherings staged by the Nazis. I oriented my approach on Leni Riefenstahl’s 1934 propaganda film Triumph of the Will.
Using various animation techniques we engaged under the professional guidance of MUKATO (Muzak, Karoline Riha and Thomas Renoldner) in a very intensive, physically strenuous but fascinating and ultimately pleasurable production process that brought forth Emoticon.
Fall of the House of Usher, based on the short story by Edgar Allan Poe, is a twelve-minute animation in which each still is generated by artificial intelligence. This is done by using a neural net (pix2pix) trained on the artist’s ink drawings from stills from the 1929 version of the film.
The seventeen programs on the lineup of this year’s Ars Electronica Animation Festival – screened at Moviemento Movie 1 – are once again an international showcase of excellence in current digital filmmaking.
The Zukunftswerkstatt (FutureWorkshop) is the place to produce your own short films, reportage, blogs and animated clips. From brainstorming to shooting to editing to presenting the final cut—crews work together to bring a project to fruition.
OMAi is very happy to invite you to the launch event for the new Tagtool app! It takes place on the opening day of Ars Electronica Festival on Thursday September 7th, 6pm at Central in Linz, and entry is free.