Each single frame of a TV program is compressed down to the size of one pixel, resulting in flowing patterns of color that get their structure from the content of the images and the rhythm of the editing of the TV program.

News produces horizontal colorations; cuts are projected as vertical lines, zooms as curves; commercials turn into vibrating color patterns. By changing channels, the user can experiment with the relationship between program and sound and the corresponding projection.


Prix Ars Electronica 2004, Honorary Mention Interactive Art

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