 |
|
|
|
|
| FRIDAY, 02.09. BIS 06.09. / OK OFFENES KULTURHAUS OBERÖSTERREICH |
|
|
More than 450 films, VX, advertising spots, etc. were submitted to the 2005 Prix Ars Electronica for prize consideration by the juries. For the first time at Ars Electronica, the 2005 Festival plans to present a compilation of selected entries that illustrate the state of the art of visual design and the latest trends in the field as well as the industry—both with respect to content and technology.
Prix Selection: Visual Effects
Fri 2. 9. 10:30 - 12:00
Sun 4. 9. 18:30 - 20:00
Falsified realities and synthetic perceptions
Prix Selection:Waveforms
Sat 3. 9. 13:30 - 15:00
Mon 5. 9. 18:30 - 20:00
Outstanding music videos, graphics & sound compositions, and visual music
Prix Selection: Digital Skin
Fri 2. 9. 13:30 - 15:00
Sun 4. 9. 22:00 - 23:30
The digital body—the many facets of digital character animation
Prix Selection: Narration
Sat 3. 9. 10:30 - 12:00
Mon 5. 9. 22:00 - 23:30
Digital short films: the narrative form
Prix Selection: Motion
Sun 4. 9. 13:30 - 15:00
Tue 6. 9. 18:30 - 20:00
Visual landscapes, visionary worlds of imagery: animation in the most original, essential sense of the word
Realtime
Sat 3. 9. 18:30 - 19:30
Tue 6. 9. 10:30 - 12:00
Real-time animation from Machinima (real-time animation produced in game engines) to the visual experiments of the demo scene
Japanese Animation
http://plaza.bunka.go.jp/english/
Fri 2. 9. 22:00 - 23:30
Mon 5. 9. 13:30 - 15:00
A screening featuring Japanese animation from the Japan Media Arts Festival in Tokyo
Flashkino
www.flashkino.info
Fri 2.9. 18:30 - 20:00
Mon 5. 9. 10:30 - 12:00
Flashkino is an initiative of Husemann and mrtz. They have combed the Internet for interesting animated films, which they are presenting on the big screen.
Prix Selection: Making of
Sun 4. 9. 10:30 - 12:00
Tue 6. 9. 13:30 - 15:00
A behind-the-screens glimpse at the studios
So 4.9. 17:30 - 18:30, Brucknerhaus, Mittlerer Saal
Christine Schöpf and Dietmar Offenhuber, the curators of the Animation Festival, will introduce the program and discuss some of the works’ salient features. |
|
|
|
|
