The project “l’m Humanity” is based on the concept of “post-humanity music” and explores how new music will be transmitted, recorded, mutated, and diffused whether sung or played via word of mouth, as scores, through radio, records and CDs, or cloud computing.
“COMB” is a shape-based interface for musical interaction.
2D-Zellkomplex” is an object that moves automatically to the music. The frequency values are transmitted to the servos, which move the panels of the “2D-Zellkomplex” accordingly.
The Tokyo-based artist and musician Ei Wada started the “Electronicos Fantasticos!“ project, where he revives old domestic electronic devices and turns them into electronic musical instruments, in 2015. Among the various instruments the project has created is the “Sempookin“ (literally, “electric fan harp”).
Corpus Nil is a music performance exploring hybrid forms of identity and musicianship. It does so through an intense and ritualistic interaction between an artificially intelligent musical instrument, a human body and sound.
Music Summit provides the opportunity for common discussion on the future of young musicians. This event is supposed to be a starting shot for a multi-year and sustainable pilot project.
Perpetuum Mobile is a composition for a twelve-channel sound installation. Twelve loudspeakers stand in a circle. Every second a note moves from one speaker to the next, clockwise.
I.M. FREE is a program based on the free improvisation, using the non-harmonic music materials for its sound base. Noise produced by various sonic operations through the speakers mixes freely with saxophone sounds, transformed—rough and unleashed!
Almost there. was constructed using sonically controlled vibrators and some very trusting contributors. Over the last two years, these contributors recorded their voices while masturbating with the vibrators. The artist composed the audio they used specifically for this project.
The Composing Lab offers a look at current practices in the musical creativity process. Computers running both notation & digital audio workstation software display their respective capabilities and limitations.
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