The relationship between humans and nature seems to be out of balance. The human, a being defined by technology, is harming the environment on which its existence depends. In Parasitic/Symbiotic this tension between nature and technology is addressed.
Pathfinder is designed to initiate inspiration for choreography. The tool generates an algorithm that projects abstract shapes into space, creating a digital environment to stimulate dancers.
Rhizome by Boris Labbé, a film director and visual artist based in Madrid, is a complex animated film.
Jller is an apparatus that sorts pebbles from a specific river by geological age.
Three ceramic Ming-style vessels crafted from toxic mud from a barely liquid lake in Baotou, Inner Mongolia, continually pumped with tailings from rare earth refining process, stand for the amount of waste created in the production of three items of technology—a smartphone, a featherweight laptop, and the cell of a smart car battery.
Marble Machine is both an instrument and the song itself—the process of making is embedded within and is inseparable from the process of composition.
In einer unter ständiger Überwachung stehenden Gesellschaft, in der Regierungen ihre Macht missbrauchen und gegen menschliche Grundrechte verstoßen, wollen Aktionen wie Can you hear me? dazu einladen, diese Systeme herauszufordern und öffentlich unsere Meinungen zu sagen.
Hidden online markets exemplify how the Internet in general, and Darknets in particular, are helping to increasingly blur the lines of national legal dictates: What is legally produced and sold in one country is not necessarily even legal in another.
Based on your GPS location, the app shows a 360-degree visualization of the Infosphere, — the manmade ecosystem of wireless infrastructure around you.
Exhausting a Crowd was inspired by Georges Perec’s novel, An Attempt at Exhausting a Place in Paris (Tentative d’epuisement d’un Lieu parisien), and automates the task of completely describing the events of 12 hours in a busy public space like Piccadilly Circus in London or in Amsterdam XX.
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