Among cultures throughout history, the representations of Hell, demons, and punishments are vast. In Inferno, the anxiety of the Singularity translates Hell and infinite punishment into a pseudo-model of infinite automation (rituals) and subordination to the machine.
The CyberArts exhibition at the OK Center for Contemporary Art features the best works singled out for recognition by the 2016 Prix Ars Electronica, a prize honoring creativity and pioneering spirit in media art.
At the Prix Ars Electronica Forums, the 2016 Prix Ars Electronica prizewinners will personally discuss their works, their motifs and their motivations.
Fairy Lights in Femtoseconds is a 3-dimensional holograph that creates a dialogue between the physical and the immaterial, melting the border between matter and images.
Aurelia 1+Hz/proto viva sonification is an interactive performance that explores the phenomena of interspecies communication, sonification of the environment, and underwater acoustic/bioacoustics, using jellyfish.
The relationship between humans and nature seems to be out of balance. The human, a being defined by technology, is harming the environment on which its existence depends. In Parasitic/Symbiotic this tension between nature and technology is addressed.
Pathfinder is designed to initiate inspiration for choreography. The tool generates an algorithm that projects abstract shapes into space, creating a digital environment to stimulate dancers.
Rhizome by Boris Labbé, a film director and visual artist based in Madrid, is a complex animated film.
Jller is an apparatus that sorts pebbles from a specific river by geological age.
Three ceramic Ming-style vessels crafted from toxic mud from a barely liquid lake in Baotou, Inner Mongolia, continually pumped with tailings from rare earth refining process, stand for the amount of waste created in the production of three items of technology—a smartphone, a featherweight laptop, and the cell of a smart car battery.
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