Upper Austrian photographers Werner Dedl and Volker Weihbold did a lot of traveling while the flow of refugees was at its peak—to train stations, temporary quarters and meet&greet events, and to Jordan near the epicenter of the crisis. They photographed people who had just made it through the perilous ordeal of fleeing to Europe.
Deep in catacombs of POSTCITY, there’s a labyrinth of passageways, The Maze, a fallout shelter with room for 3,000 people, and a former storeroom for undeliverable parcels. These spaces—their extrovertedness, their aesthetics—evoke animated scenes in computer games. Now, the 2016 Ars Electronica Festival is using them as a setting for an intriguingly composed show of audiovisual works in which space is an essential magnitude.
A multi-talented artist Ukawa Naohiro founded the live streaming channel DOMMUNE on March 1, 2010. “Commune and the next step” is the motto. With The Final Media DOMMUNE he has created something like a commune in the digital age. As a mixture of live talk show and club night, DOMMUNE has been broadcast via livestream from a little studio in Shibuya, Tokyo on weeknights from 19:00 to 24:00 since March 2010.
G60_HACIENDA is the test bed to transform the idle land in the hi-tech campus in Shanghai, China into the self-sufficient neighborhood. It will redefine public space via techno-advanced co-creation to form an integrated ecosphere of human, nature and technology, providing a new type of demo space of the future scenarios in urban living, knowledge acceleration and transferring, advanced industry clustering, forming the next economy for the City.