 |
|
"Elektra/Elektron", Videoskulptur
(ars electronica 86) |
|
"Kraftwerk" Unplugged? (a description of surfaces)
(Genetic Art - Artificial Life) |
|
"virtual office" for chiat/day, inc.
(Intelligente Ambiente) |
|
"X"ing the World in 80 Days
(A New Cultural Economy) |
|
(Abstract)
(Endo Nano) |
|
(Two Line) Orbital Elements
(Ars Electronica 98) |
|
*OR*
(Fleshfactor) |
|
./logicaland
(Unplugged) |
|
Arabesque
(Goodbye Privacy) |
|
Phantasm
(Goodbye Privacy) |
|
Second Life Stereoscopic VR Environment
(Goodbye Privacy) |
|
???
(Memesis) |
|
[Multiple_Dwelling]
(LifeScience) |
|
[prints] vier aminosäuren in folge
(LifeScience) |
|
… horrific honorific hommage for the opening of Ars Electronica
(The Art of Scene) |
|
“Letus grind them into dust!”
(Hybrid) |
|
»digital sparks«—Crowning Outstanding Student Media Projects
(Code) |
|
1. Der Ball ist rund (1979)2. Schwierigkeiten beim Umschalten (1978)
() |
|
1. Holographie- und Laser-Labor
(ars electronica 86) |
|
100 of the World´s Most Beautiful Melodies
(The Art of Scene) |
|
15 Years Ars Electronica
(Intelligente Ambiente) |
|
2. Computer-Labor
(ars electronica 86) |
|
20 of the 20th
(LifeScience) |
|
20´to 2000
(Next Sex) |
|
2021 The Life People
(In the Network of Systems) |
|
24!
(Code) |
|
25 Years of Ars Electronica
(Timeshift) |
|
3. Computer-Schachweltmeisterschaft
() |
|
3. Klang-Labor
(ars electronica 86) |
|
386 dx
(Code) |
|
3D-Audio-Düker
(Fleshfactor) |
|
3rd International Audio Art Symposium
(The Art of Scene) |
|
4. Video-Labor
(ars electronica 86) |
|
4KTAPE
(ars electronica 86) |
|
5. "ARTIFICIAL INTELLIGENCE"-LABOR
(ars electronica 86) |
|
6. Telekommunikations-Labor
(ars electronica 86) |
|
7 Objects meet
(Endo Nano) |
|
7 Viren
(Genetic Art - Artificial Life) |
|
80+1 A Journey around the World
(A New Cultural Economy) |
 |
|
A brief Genealogy of Artificial Life
(Genetic Art - Artificial Life) |
|
A Brief Introduction to the Art of Flight Simulation
(digitale Träume virtuelle Welten) |
|
A Few Quick Notes on Opportunities and Pitfalls of the Application of Computers in Art and Music
(Code) |
|
A Head-Mounted Three Dimensional Display (*)
(digitale Träume virtuelle Welten) |
|
A History of Art Involving DNA
(LifeScience) |
|
A History of Electronic Music Pioneers
(Endo Nano) |
|
A History of Electronic Music Pioneers part 2
(Endo Nano) |
|
A Mandelbox
(digitale Träume virtuelle Welten) |
|
A Medium Matures: Video and the Cinematic Enterprise
(ars electronica 84) |
|
A Molecular Understanding of Mammalian Development and Disease?
(Genetic Art - Artificial Life) |
|
A Nest of Nodes and Lives
(Timeshift) |
|
A New Cultural Advertising Project
(A New Cultural Economy) |
|
A New Generation of Visual Communications
(ars electronica 86) |
|
A New Paragon
(The Art of Scene) |
|
A Shirt travels its lonley way through hell
(Out of Control) |
|
A short history of the Go
(digitale Träume virtuelle Welten) |
|
A sophisticated soirée
(Takeover) |
|
A Start
(A New Cultural Economy) |
|
A View from Outside
(digitale Träume virtuelle Welten) |
|
Abbildungen und Einstiege
(In the Network of Systems) |
|
About Creative Commons
(Timeshift) |
|
About Genetic Art
(Genetic Art - Artificial Life) |
|
About Sounding Bodies and Talking Clothes
(ars electronica 86) |
|
About the Barcodes
(Endo Nano) |
|
About The House
(ars electronica 86) |
|
Academy Leader
(digitale Träume virtuelle Welten) |
|
acar2
(Goodbye Privacy) |
|
acar2
(A New Cultural Economy) |
|
Acknowledgements
(Endo Nano) |
|
Acting in the Interstices
(Hybrid) |
|
Acting in Utopia
(Goodbye Privacy) |
|
Action Half Life
(Hybrid) |
|
Active Score Music
(Next Sex) |
|
Addressing Time
(Timeshift) |
|
Advanced Cell Technology
(LifeScience) |
|
Africa: A “Have” or a “Have-not” in the Information Society?
(Unplugged) |
|
African Art Screen
(Unplugged) |
|
Against an Official Contemporary Art
(Welcome To The Wired World) |
|
AGAINST THE IDIOCY OF ELECTRONIC ART
(digitale Träume virtuelle Welten) |
|
Aggregating the Whole World
(Simplicity) |
|
AIR-Computertrio: Der PPG-Computer
() |
|
Airacuda
(Simplicity) |
|
Akzidenz
(Out of Control) |
|
Alan Rath
(In the Network of Systems) |
|
Aldo Tambellini
() |
|
Aldo Tambellini
(Endo Nano) |
|
Alejandro Sina
() |
|
Alforabit
(Next Sex) |
|
Alice´s Room
(digitale Träume virtuelle Welten) |
|
All Inclusive
(A New Cultural Economy) |
|
All of Linz
(A New Cultural Economy) |
|
All Power Proceeds from the Picture
(InfoWar) |
|
Alles Spiel - Audience Participation
(Intelligente Ambiente) |
|
Alphabet of Sounds
(Timeshift) |
|
An ear alone is not a being (John Cage)
(Free Sound) |
|
An Evening Spent in a Hypercompetitive State of Mind
(Fleshfactor) |
|
An Event City, A Pandora’s Box
(Unplugged) |
|
An Interactive Poetic Garden
(Next Sex) |
|
An Unsetting Matter
(Out of Control) |
|
And the Word Was Made Flesh ...
(Fleshfactor) |
|
And what is it that makes it Art?
(LifeScience) |
|
Andrew Head, Julie Head, Rinde Haed
(Genetic Art - Artificial Life) |
|
Animatrix
(Genetic Art - Artificial Life) |
|
Anleitung für einen selbstorganisierenden musikalischen Organismus
(In the Network of Systems) |
|
Anomalocaris
(LifeScience) |
|
Anthroposcope
(Genetic Art - Artificial Life) |
|
Anton Bruckner. Vierte Sinfonie in Es-Dur (Romantische)
() |
|
Ants
(Genetic Art - Artificial Life) |
|
Aorta
(Free Sound) |
|
Apartment
(Takeover) |
|
Apparition
(Timeshift) |
|
Appeals to Human Kind
(ars electronica 84) |
|
AR&D – the Next-Art Node
(Unplugged) |
|
Architecture and Electronics
(Intelligente Ambiente) |
|
Architecture in a Simulated City
(Intelligente Ambiente) |
|
Architettura della Separazione
(Fleshfactor) |
|
Architexture
(Intelligente Ambiente) |
|
Are you online?
(Ars Electronica 98) |
|
Arleen Schloss: "A. E. BLA BLA BLA"
(ars electronica 86) |
|
Arrival
(Goodbye Privacy) |
|
Ars Electronica 2000
(Next Sex) |
|
Ars Electronica 2001
(Takeover) |
|
Ars Electronica 2008
(A New Cultural Economy) |
|
ARS ELECTRONICA 80
() |
|
ARS ELECTRONICA 84 - Art, Technology and Society
(ars electronica 84) |
|
Ars Electronica 92 - Window Into a New World
(Endo Nano) |
|
Ars Electronica 99 • LifeScience
(LifeScience) |
|
Ars Electronica Animation Festival
(Simplicity) |
|
Ars Electronica Animation Festival
(A New Cultural Economy) |
|
Ars Electronica Animation Festival 2007
(Goodbye Privacy) |
|
Ars Electronica Center
(Memesis) |
|
Ars Electronica Center
(Hybrid) |
|
Ars Electronica Center Exhibition
(Code) |
|
Ars Electronica in Hörfunk und Fernsehen
(ars electronica 84) |
|
ARS ELECTRONICA in Hörfunk und Fernsehen
() |
|
Ars Electronica Research and Residence
(Fleshfactor) |
|
Ars Electronica, All Aboard!
(Memesis) |
|
Ars Foyer
(A New Cultural Economy) |
|
Ars Oblivivendi
(Memesis) |
|
ARSDOOM - art adventure
(Welcome To The Wired World) |
|
Art and War
(Unplugged) |
|
Art Becomes Technology
(Simplicity) |
|
Art from the Screen
(ars electronica 86) |
|
Art in the Age of Biocybernetic Self-Reproduction
(Welcome To The Wired World) |
|
Art of the Scene – The Inscenation of Art
(The Art of Scene) |
|
Art of the State
(Unplugged) |
|
Art on the Move
(A New Cultural Economy) |
|
ARTificial Intelligence & ARTificial ART
(digitale Träume virtuelle Welten) |
|
Artificial Intelligence and Interactive Art
(Genetic Art - Artificial Life) |
|
Artificial Life
(Genetic Art - Artificial Life) |
|
Artificial Life Through Postponed Aging
(Genetic Art - Artificial Life) |
|
Artificial Will
(ars electronica 84) |
|
Artistic Molecules
(Next Sex) |
|
Artistic Practice, Body Knowledge and the Engineering World View
(Memesis) |
|
As Far As In-Between
(Intelligente Ambiente) |
|
As if we were alone!
(Simplicity) |
|
Asian Crisis
(InfoWar) |
|
Aspekte der Diskussion um ein Gentec |
