As much sophisticated knowhow on the part of Ars Electronica Futurelab engineers went into the conception of Deep Space 8K as high-performance technology went into that concept’s execution.
The Soul of the Cube (SOTC) is a virtual being, an abstract creature that is visible in between applications, it is both a “host” and the inner self of its complex infrastructure.
New mobility concepts, trailblazing interfaces, the language of forms and the future of brand identity will be the subjects of talks by Vera Schmidt (DE) and Holger Hutzenlaub (DE).
The works singled out for recognition this year that are being presented at the 2015 Ars Electronica Festival explore the aesthetic-artistic latitude the teletext provides.
An application developed by the Ars Electronica Futurelab transforms Deep Space 8K into a virtual anatomy theater in which viewers can observe the human body in 3-D.
*White Point* is based on the premise that the observer is situated in the vanishing point. Visitors thus seem to move into the center of the light inside this single pixel
All three works are takes on “cooperative aesthetics” in which visitors to Deep Space 8K explore the changes their own movements bring about in the displayed projections and, in some instances, on the acoustic level too.
Combining highly detailed, fast-forward motion pictures with the extraordinarily high degree of resolution in Deep Space 8K opens our eyes to everyday events that we’ve never seen in this form before.
*Post Refugee City* records the realities of everyday life in a refugee camp—in this case, Al Zaatari in Jordan—and represents an effort to find new ways to deal with such modern-day mass migration.
The Alfred Fried Photography Award is more than just a photo contest; it’s the world’s only competition that asks entrants to visually answer the question of what peace looks like.